DRAG STRIP BLAST OFF GIRLS

SHIRLEY MULDOWNEY  & STACY "the Femme Fatale" PAUL

by Cole Coonce

The sound of a dragster is nothing if not the sound of destruction. Every time a valve opens in the combustion chamber of a supercharged Top Fuel motor--an action that takes place as many as 80 times a second per valve--it allows a highly volatile mixture of oxygen and nitromethane (a fuel developed by Third Reich scientists as a rocket propellant during WW II) to penetrate the cylinder.

This incendiary cocktail then awaits a high-amperage spark so it can EXPLODE. Not burn like the gasoline in yer grocery-getter, but  detonate like the Manhattan Project in minutia. This series of (barely) controlled explosions in the motor's cylinder heads is what propels these contraptions down the race track at speeds in the 300 mile-per-hour range. This whole experience is somewhere between an orgasm and a glimpse of Armageddon. It is l-o-u-d. It is primal. It is ferocious.

I have been fascinated with the machinations of nitromethane and its incumbent pyromania for quite some time. I am also fascinated with women who harness, finesse, dominate, and control the fierce, unwieldy machines of drag racing. That is to say, women who drive dragsters. Recently in Oklahoma City I had the honor of meeting two feminine archetypes of the drag race culture: Shirley Muldowney and Stacy Paul.

That's right, Ms. Shirley Muldowney, the High Priestess of Top Fuel and the driver formerly known as "Cha Cha," was "in the house" for a best 2-out-of-3 match race against her longtime nemesis, the Grand Ol' Man of Drag Racing, "Big Daddy" Don Garlits aka the "Swamp Rat." Inarguably the two most epic figures in the sport of drag racing, Shirley and Garlits were facing off for bragging rights at the Thunder Valley Nitro Nationals in the heart of Sooner Country, OK.

Meanwhile Stacy Paul, considered by many motorsports pundits to be Ms. Muldowney's heir apparent, was gracing the Okie race fans with her presence by competing in a class of dragsters known as Junior Fuel Eliminator.

But the Main Attraction of the Thunder Valley show: Shirley Muldowney versus "Big Daddy" Don Garlits. (Wo)Mano-a-mano. The Grand Dame of "Go! Fever" facing off against the man who once eschewed anesthestics after getting half of his right foot blown off by an exploding transmission in 1970. Garlits and Shirley have had an on-again, off-again love/hate relationship that dates back to the early '70s, but here in Oklahoma, on the cusp of the new millenium, their once-adversarial relationship had mellowed into a more good-natured grudge match. Indeed, "Big Daddy" was not even driving his black-as-a-subatomic-particle dragster known as the "Swamp Rat." He had recently relinquished the steering yoke to his pal Richard Langson. (After doctors predicted "Big" would eventually go blind, Garlits climbed out of the cockpit. He suffered a series of detached retinas from the negative 5g impact after deploying the parachutes used to stop his dragster.) But none of this was important to the gathered bleacher bums in Oklahoma: It was still, for all practical purposes, the Shirley Vs. Garlits Show, a marquee matchup guaranteed to pack 'em in.

But to understand Muldowney's appeal, one must follow the arc of Shirley's exalted racing career: From street racing with her high school snookums, Jack Muldowney, in the Teenage Badlands of Schenectady, NY, to driving a supercharged, twin-engined Top Gas Dragster in the late '60s, to driving a nitro-burning Funny Car in the early '70s, known as the "Bounty Huntress." (Speaking of the notoriously fiery and unstable Funny Cars and the accompanying danger of gnarly and potentially fatal oil fires she said, "I drove 'em when they were really bad machines." She still bears the scars.)

No, Ms. Muldowney is no ordinary drag strip girl. Indeed, she has become its suffragette. Once marketed by the drag culture Svengalis as a feisty feminist temptress--part Gloria Steinem, part Tura Satana in Faster Pussycat! Kill! Kill! (Shirley allowed herself to be photographed in hot pants, go-go boots, and a halter top that left little to the imagination, moments before donning an asbestos firesuit and climbing into the fire-breathing "Bounty Huntress.") She was a pretty girl driving a he-man's race car, but something clicked in Shirley's psyche back then that told her this image rang hollow. And after a particulary brutal Funny Car fire in 1973, she changed. Shirley was now no longer "Cha Cha." In fact, she later uttered this pearl of wisdom in denigration of a bleach-blond female Top Fuel driver, "There is no room for bimboism in drag racing." As a coda to this anecdote it should be noted that the shoe (that's dragster parlance for "driver") she was dissin' has since retired due to a lack of funds. Shirley, despite likewise suffering from a lack of Other People's Money, continues to burn down the quarter-mile on her own dime, nonetheless.

Shirley spews that, "I am grouped in this women's drivers group that could not find serious funding if their lives depended on it, and it just pisses me off." Shirley is nothing if not candid. The truth is that professional drag racing today is a billionaires boys and girls club that depends on corporate financing for its existence. Shirley, with the able assistance of her husband (and pit boss) Rahn Tobler, generates a positive cash flow without the help of the Fortune 500 patronage, thank you. No less a source than "Big Daddy" Garlits hisself has been quoted as saying, "Theirs (Tobler's & Muldowney's) may be the only Top Fuel team in the country that still makes a living drag racing."

Yes, Shirley is ignored by the Movers & Shakers of the Corporate Drag Racing Establishment despite accomplishments such as being crowned the NHRA Top Fuel World Champion 3 times (a feat matched only by Garlits and "Joltin' Joe" Amato). Currently, there are a few other female Top Fuel shoes gettin' fat off of Daddy Warbucks' bankroll, but Shirley agrees that most of 'em are "glorified trophy girls." She says,"They are a product of their crew chief."

Which leads us back to Oklahoma, the Fall of 1995, and the setting for a Battle Betwixt the Sexes, specifically Shirley and "Big Daddy": In the first session Langson, Garlits' driver, was disqualified for "red-lighting," the drag strip equivalent of premature ejaculation, while Shirley "smoked the tires" or overpowered the race track with too much horsepower--sort of like coitus interruptus or something. So, despite a less than stellar performance, Shirley was the winner of this round due to Langson's foul start In the second heat it was "Big Daddy" who dialed in too much horsepower for his driver Langson, while in the other lane Shirley expertly rocketed down the drag strip in victory, covering the quarter-mile track in a scintillating 4.91 seconds, with a terminal velocity of 295 miles-per-hour. Final results from the OK Corral: Shirley 2, Big Daddy 0. Wow.

After Ms. Muldowney disposed of her long-time  rival in two straight contests of horsepower,  she found time to riff and ruminate on the  trajectory of her life. Your humble reporter  was then granted a private audience with a  living legend, drag racing's Queen Bee. There  was something Freudian and cool about  chatting with Shirley Muldowney, 55 years  old, in the privacy of her trailer. I felt  like I was in the the same room with  greatness, like I was allowed to peer into  the soul of a woman I admired tremendously  from a grandstand. And that is to say, a  woman I consider to be every bit as epic as  any Matron of Nobility that has honored  Western Civilization with her aura in the  last 100 years: Sylvia Plath, Amelia Earhart,  Marlene Dietrich, Emma Goldman, Simone de  Beauviour, Shirley Chisholm, Barbara  Stanwyck, or even Grace Slick.

 In the confines of her trailer Shirley was  gracious, existential, and open with her  thoughts. Her state of mind in 1995? "I have  [DRAG STRIP BLAST OFF GIRLS]  changed," she said. "I have mellowed. It's  not the fight that it was in the early days.  Not that I've relaxed myself at all--I still  want to win as much, I want to kick butt as  much, because that is my competitive  instincts, I want to show them the way home.  That's normal with all drag racers."

 Her station in life? "It would be nice to  have someone pay your dress shop receipts  every month, but that has not ever been the  case for me. I've been at this a long time,  I've worked hard at it, I'm disappointed that  it hasn't done anything to secure my future.  I'm pretty sure that once I am out of the  race car there will not be a place for me in  this sport."

 So is there, in fact, life after drag racing?  "When this is done I will probably go get a  job at Hudson's in the Store Decoration  Department or something," she said  facetiously.  "I am a driver and I do not make a good spectator." When  [Image]  she does hang up the firesuit will there be a lot of  fanfare?"No, I would quit before I would retire." Talk  about bowing out with grace and dignity...         [Image]

What are her thoughts towards the state of the female condition in 1995? "It's ideal," she says, "Because the door is wide open now. If you want to do something bad enough there are ways in which you can do it. But you gotta stand your ground--if not they will walk on you like an old shoe."

Regrets? Nyet. "Without drag racing, I can only imagine where I would be today. I only pray that I have done as much for this sport as it has done for me. A lot of people are aware that the early years were really hard..."

The moral of today's drag strip history lesson seems to be this: In life, either you conquer the circumstances or the circumstances conquer you. In Shirley's case, it was the former. But what is Shirley's rationale for her accomplishments? How did she do what she did? "It's because I'm a tough old broad," she said.

Yes, drag racing gave her a sense of purpose. And who amongst us isn't searching for a sense of purpose? Who amongst us isn't looking for a reason for being, a sense of fulfillment?

Apparently 26-year old Stacy Paul, that's who. Perhaps the spiritual goddaughter of Shirley Muldowney, Stacy "the Femme Fatale" Paul is the 1/4 mile's new Queen of the Hop, or Drag Strip Debutante. And when Muldowney finally does quit, she will probably ceremonially hand over her well-worn tiara to this new-chick-on-the-block from Auburn, California.        And if Shirley's career mirrored and helped  propel the rising tide of women's awareness, suffrage, and liberation, then Stacy's career stands to reap the benefits from the seeds        that "Don't Call Her Cha Cha" has sown. And Stacy will be the first to acknowledge the debt of gratitude owed to the lady from Schenectady. She says, "Shirley Muldowney        definitely inspired me. From the time I could watch drag racing I remember seeing her and thinking how neat she was. After I watched the Heart Like A Wheel movie (a film        biography of Shirley's life)--I thought she had really accomplished something, going        where no women had gone before and just tearin' it up." Another beacon of guidance, or voice of inspiration, or exemplum of do-it-yourself feminosity was Stacy's mom. She says, "My mom also inspired me a lot as far as doing something that I wanted to do. She pretty much raised us by herself without a whole lot of money. She wasn't afraid to just jump into something and okay, let's go, let's make the best of this. I think that gave me a feeling of being able to accomplish anything you set your mind to. She told me, 'There are never any boundaries, the only boundaries are in your head.'" Are you listening to this, you slackers?

Yes, Ms. Paul is hardly the glorifed Trophy Girl that Shirley alluded to earlier. To wit: At age 14 Stacy built, from the ground up, a powerful '57 Chevy Bel Air with assistance from her dad (fellow dragster driver Jim Paul). She drove this doorslammer, not only at the local drag strip, but also to her high school prom. Stacy then started climbing the ropes in various race cars, until scoring a ride in the "Mischief Maker" Junior Fuel dragster. This type of machine is a sort of little brothe.., er sister, to the Top Fuelers like Shirley drives: It sports a small-block Chevy motor (with trick Buick heads) injected-on-methanol (as opposed to blown-on-nitro big block Hemi timebomb that propels Ms. Muldowney). This 800 horsepower combination enables the "Femme Fatale" to cover the 1/4 mile at around 7.60 seconds at nearly 175 mph. When she drops the clutch and stabs the loudpedal, Stacy's digger pushes her firmly back in the seat, and she likes it like that. In fact, her driving philosophy consist of this strategy: "Take a deep breath and hammer it." Beautiful...

Mega-stardom may be looming on the horizon for the talented Ms. Paul. Presently, some multimillionaire race teams are sniffing around Stacy's pit area, soliciting offers for a possible ride in a Top Fuel car. But Stacy is philosophical about drag racing's casting couch, and is content with her status as one of Jr. Fuel's preeminent aces. "I think it's kinda' cool to be able to work my way up, starting in the lower classes when I was 16, and then working to Junior Fuel," she said. "I like getting the whole feeling of racing from the bottom up, rather than being thrown into something way out of your league."

Ms. Paul was being modest--the consensus amongst the drag strip cognescenti is that the "Femme Fatale" can handle any type of machinery that is designed for the race track. Regardless, her humility is quite becoming. Presently, her status as a dragster driver is an uncanny reflection of where Shirley Muldowney dwelled almost thirty years ago.

In Oklahoma, I felt blessed, charmed, and honored to witness the existential throughline of these two talented "blast off girls." Though still flourishing, Ms. Muldowney's lifework may be in it's autumn. Ms. Paul's is blossoming as if its spring. And as I reflect on what I have been privy to, I feel kinda warm about humanity and the nobility of achievement, especially as exemplified by the spirit of these inspiring constituents of the fairer sex. Drag racing can be enlightening like that, y'know what I mean?




CLUTCH DUST VAPORIZES INTO THE ETHER: THE COLE COONCE READER