pull the pin
[the k-bomb instant reader]
[new window]


"YAHWEH"

by Lockdown


(excerpted from PULL THE PIN )

YAHWEH

On the outskirts of Palm Springs a few years ago I saw unfinished tracts and tumbleweeds blowing through the living rooms. All my old man's poker buddies using their homes as ATMs... I remember asking Rickie what to make of it. Rickie said shit would hit the fan and spelled out why in detail. Nice call. Paul Krugman of the NY Times was also on this -- why there would be ripple effects, strange attractors and Lorenz butterflies causing long distance tornadoes. One thing all the experts agreed on though: 1929 could not happen again because you can't have national bank runs. As of today they've reversed themselves -- a guy clicking his mouse can cause a lot of trouble. The point is that 1929 is now a possibility -- it's on the table as a scenario, however unlikely.

The RNC convention was an electronic Nuremburg rally -- but I did not know Sarah Palin quoted Westwood Pegler in her convention speech...world class anti-semite and McCarthy commie-basher. Wall St. Journal broke this and NY Times came in with "Palin knows no more about Pegler than she does about the Bush doctrine. But the people around her do."

Strange times that warrant cigars in the desert as the stars wheel overhead...

It will be interesting to see where this shakes out. I remember in the middle of the junk bond scam I thought: This is Old Testament, baby. Yaweh must punish. It didn't really happen -- though I did see Mike Milken one night at the Hollywood halfway house at the head of Vine St. cutting the yellowed grass with a push-mower. I recognized him without his hairpiece.-30-


(9/16/08)



"GET BLANKO!"

by Damo Kandinsky


(excerpted from PULL THE PIN )

GET BLANKO!

BEEP... channels opening... StrangeCorp data retrieval operational...

"LA call for ya, Mr. S..."


The humanoid-voiceprint avatar clean forgotten since last night's debauches sidled up to Strangelove, all mincing electro-hum, high pitched whiney love-me-cos-I'm-deferential self abasement, but the recumbent demi/household god was/is in no mood for trifling. He flicks/flicked a switch and the robot's sarcasm/camp-banter circuit went dead on him.

BS, Buffy, Buffy to his friends, Mr Strangelove to those who go in fear of the wrath of God in (at least) 3 persons... today is BLANKO. These nuisance-value websites haven't yet been closed down... the BS channels of influence not yet fully tumescent. Not yet characteristically tumescent with throbbing BS activity, agents up and down the line, digital agitators, flesh 'n' blood agents, cack-handed office functionaries, power bimbos with stick-on political convictions, court officers, corrupt Media barons, Mr. Bigs, none of them yet awake to the potentiality of Blanko Is Evil propaganda. Websites bearing the (semi)divine image, telling it like it is, as they say. They say he's evil. But they know NOTHING. His good is their death. But... nothing. They're like flies and he's like a wanton boy. Kandinsky likes a good semi-classical allusion early doors. He's the fucking boss though innit? We humour or defer. Humour or defer. He's a moron but when roused...

"OK, ready..." hums Mr S as he eases into semi-consciousness. Today he sports a bald look, one bulging/one squinting eye and massive soup strainer moustache. He warms up with a few preliminary "Doh"s and squints at the vid-phone screen, puffing and blowing in exasperation. He's worked it (somehow -- nobody knows how, which is a function of the genius of StrangeCorp generally) that every time anyone anywhere in the world says "Doh" credit deposits are made into StrangeCorp accounts straight from FOX, and of course Groening is at his wits end, but that's another made up story...

"Agent BDSM guv..." says the image on the screen.

A pregnant pause looms, but somehow also kick starts and simultaneously anticipates the strange banter to come in a manner not readily susceptible of description.

"Well"? enquires Strangelove.

"Well...well, we're waiting...I can't hold these goddam hyeanas off any longer Mr S. We..." he corrects himself "...they are still waiting. We...I mean they, want product. New product. StrangeCorp stocks are plummeting BS..."

Strangelove/Blanko merely looks nonplussed, blows through his moustache a few more times and fixes Agent BDSM with a bulge-eyed stare.

"Er, what I mean is, your, er, grace..."

BS dismisses the blandishments with a wave of the hand

"...uh, what I mean, BS, is that sanguine though you may be about the state of StrangeCorp stocks, there are rumblings in the financial jungle!"

"Rumblings?"

Emboldened, Agent BDSM warms to his theme.

"Yes, rumblings! It may seem ludicrous to you, but we need product. Again. But...and I'll tell you this for nothing mate...it's got to be below 35,000 feet of film this time. That's TOTAL length. Unedited. Get me? Somehow, your message must be condensed, de-tumesced...if you will..."

His tone softens appreciably as he leans into the camera, bumping his forehead as he does so.

"Listen Buffy, you know I'd only say this for your own good. I'm not trying to force you into anything. But you know, and I know, we all know, that not doing anything is like, well, you know the result in advance. Do something and the effects are, well, imponderable to say the least!"

And with that he sits back with the air of a man whose point has been well made.

And indeed it had been. Strangelove knew the wisdom of Agent BDSM. He knew that, even though StrangeCorp shares could never collapse entirely while he was still capable of MIndFUck Operations reality morphing (via subsidiary offshore holding Co RealityCorp Ents) the quality of the stock must never be allowed to depreciate appreciably. New product, he understood, was necessary for the continued maintenance of channels A B C and beyond...

New Product. Yes, why not? New Product out of his very own genes. New lines of discontinuance. New obfuscations. New HUMANS. New carefully covered tracks. Evil bastards in their prime halted in their tracks. New traditions of subservience, bullshit, obeisance and obfuscation to be nurtured.

Plus of course inaction almost always equaled De-Tumescence of the most distressing kind. Product is and was of course the be-all and end-all of existence. No point denying it. People need things to have, to touch, to dream...

Giving one last puff through his moustache, then, and fixing Agent BDSM with one last gimlet stare, he acquiesced...

"Agent BDSM, you're a diamond...You done good my son...Hear me and hear me well. Your efforts will never go unrewarded while I breathe this fetid air. Are there any more like you at home Agent BDSM? Or did they break the mold when they made you? Your ingenuity in these matters will not go un-noticed while I still...[CLICK]..."

Agent BDSM was already gone. He had of course heard it all, and much verbiage of a similar nature, before.

Blanko sighed. The start of a good day's work...and to reward himself he rolled over again, already Get Catered Michael Caine, nekkid with a shotgun(!) to all intents and purposes, and gave the boarding-house landlady, who for her part was wondering how on earth she'd ended up in this strange place, one of the best, most roistering seeings-to she'd experienced in many a long frustrated year...

Coming up for air, literal realities intervened...humming, straight from the enlarged, engorged brainpan of Strangelove. Fully channeled. All agents on standby...receiving. Direct download of spurious material...

DELEGATE!

"Bullet point this fucker would ya sweetie?"

Strangelove habitually disrespects employees but since they've all grown up in and beyond a universe in which this sort of disrespect is no longer regarded as a bad thing (ie: they don't give a fuck themselves) they give as good as they get and given that Mr. S is a simpleton whose actual understanding of the channels of power he controls is attenuated to say the least, it doesn't seem to matter to them. The power is always obtuse, impossible to actually discover. And that is his secret or one of them anyway...

DELEGATE!

We need...

* An impenetrable section. Full of abstruse imagery and lame-arsed pseudo- intellectual rambling. Something that will set indelible benchmarks of otiosity for the clinically tendentious and loathsome. This demographic should never be underestimated. It grows like a cancer. And we need to be ready to supply like with like, meeting this cancer in the body politic with a cancer of our own. A kick-ass cancer that brooks no backchat. This will take the form of impenetrable rambling of an intensely fatuous nature.

* A romantic interlude. Needless to say, for our purposes, "romantic" must perforce be an analogue of "pornographic". I know for certain, Daisy, that in some influential circles, the only real romance left in the world is that of the pornographic. While I have personal issues with this outlook, I know it carries weight in certain bone-headed enclaves.

* An abstruse intellectual fugue. This must needs be composed of rhetorical elements purporting to explain ontological phenomena with reference to pop-cultural elements. I know it's distasteful Daisy, but any book or film seriously intending to throw its intellectual weight around must of course touch these bases as delicately or as roughly as you like, according to taste. My personal preference (for what it's worth -- not much, as of course I exist merely to channel, to facilitate, to dream, to create, to babble, to expectorate, to haver, to prevaricate, to decipher, to alienate) is to take the rough with the smooth. With the emphasis firmly on the rough.

* A sex scene. This must, for obvious reasons, involve a multiplicity of rabbits. What's that you say? It's not obvious to you? My dear child, surely you know that rabbits are the most myth-laden creatures in the entire mytho-cultural realm. There barely exists a civilization in this or any dimension that I'm aware of that hasn't seriously relied on rabbit iconography to bolster it's sense of permanence or weightiness. Mythologically speaking, in other words, rabbits is where it's at. But also clearly sex sells and by extension Key Moments in the narrative/continuum must be weighted with sex, freighted with rabbit imagery and sealed with a kiss.

Now, Daisy, I'm all shagged out. Come and give me one while I visualize. The visions must be unlocked. Agents must be placed on standby. Remind me, after you've sucked me dry, to memo Agent BDSM. Channels must be opened. And now, let us be GARLANDED with daisies. We enter the new world vision zone of Key Moments frozen in time/space. The ghosts are emerging...bottle the pure bliss...globules of love explode in image frenzy... 3 Stooges... Marx Bros... Laurel 'n' Hardy... (later later) ... Brando... Montgomery Shirtlifter... (earlier earlier) ... Cagney white heat ... no, too cack handed... Mae West... Adam West... (how's that for a juxtaposition?)... Michael Angelo Caine... CAINE???-30-


(9/03/08)



"DR. BUCK'S LETTERS: THE MIXER"

by Cole Coonce


(excerpted from DR. BUCK'S LETTERS)

THE MIXER

"We have done electronic accidents. And it is also possible to damage your mind. But this is the risk one takes. We have power. It just depends on what you do with it." -- Florian Schneider, "Kraftwerkfeature," 1975.

Ten or twelve years ago, I was doing a sound gig for chump change, mixing a couple of quiet little alt-rock bands on a Friday night at some beer-smeared beatnikbum beach cafe on the Venice boardwalk.

It was a small venue with a public-address system more suited to, say, a Catholic church in East L.A. than an r'n'roll club, but, as a sound engineer, I wanted to "tune" the room -- adjust the sound to match the club's acoustics and squeeze as much cackle out of the amps and speakers as inhumanly possible without blowing anything up -- before the musical acts began their sound checks. To that very end, I carried a copy of electronic pop-music pioneer Kraftwerk's then-brand-new hot-off-the-waffle-iron greatest hits compact disc, The Mix.

Why? The Mix is perfect for "tuning a room." Like every recording Kraftwerk has ever made (be it Trans-Europe Express, Die Mensch Machine, Computer World, or the new Tour de France Soundtracks), it is sonic perfection. Kraftwerk -- Ralf, Florian, and two other Krauts who answer to anything from Wolfgang and Klaus to Fritz and Henning -- understand how electrons sing.

Ahhh, The Mix. In the early 1990s, the members of Kraftwerk had felt kinda cheated by the state-of-the-art in recording, as digital consoles, tape machines, and hard drives were immediately supplanting the analog analogues they had been using in Dusseldorf, Germany, since 1969. From the beginning, they were always ahead of the means available to capture their music -- lush-yet-minimal aural landscapes that some pop-music critic once labeled "a postcard from the future."

Kraftwerk -- cutting-edge musicians who built their own rhythm boxes in 1974, because contemporary drum-machine technology would just not do -- could not just put out a greatest hits package. Nein. Recording technology was catching up with the quartet's sensibilities, so they RE-RECORDED their "hits" ("Autobahn," "Pocket Calculator," "Radioactivity," etc.) from scratch and said "take that" to Eurythmics, Aphex Twin, the Orb, Depeche Mode, and every other soda-cracker musician who hit one white key on a "digital workstation" and called it macaroni.

But I digress ... It is 1993 or so, and I am in a dank, besotted nightclub, fiipping switches on amps and power supplies, oblivious to the rainbow coalition of beach city and dogtown drunks and hoodlums who have gathered to watch the Lakers in an important playof against the Phoenix Suns on the bar's big-screen television. I hit "play" on The Mix and ...

DDDUUHH DDDOOO DDDUUHH DDDOOO DDDUUHH

DDDOOO DDDUUHH DOOOOO ... DU DUH ... DDDUUHH

DDDOOO DDDUUHH DDDOOO DDDUUHH DDDOOO

DDDUUHH DOOOOO ... DUH DU ...

"We're charging our batteries/And now we're full of energy .../We are ze robots .../We are ze robots ..."


The two dozen or so lowlife hoops fans gathered around the Lakers/Suns broadcast are mortified, and plastic cups of tepid beer fiy in my direction. It seemed innocuous enough, stress-testing tweeters and woofers with a blast of Kraftwerk chanting "We are ze robots" over synthesizers purring like a pushrod Mercedes engine at full song down the autobahn. It wasn't.

It becomes a near-riot. But, as I dodge cups and dive for faders and volume controls, something very strange happens. The music stops, but the jeers continue. Unlike the white dudes and the Mexicans, the African-American basketball punters are pissed that I have turned the CD off.

"Yo, man, that's motherfuckin' Kraftwerk! They dope!"

"Motherfuckin' Kraftwerk? Man that shit is BAD! Uh huh!"

"Homey, I was in Amsterdam, and that's all the DJs motherfuckin' played."

You could have knocked me over with a motherfucking function key.

The next day, I told my pal Ikky Shivers, also an electronic musician, about how I nearly started a riot twice -- first by white folks, for putting on Kraftwerk, and then by black folks, for turning it off.

"You do understand that Kraftwerk is really just soul music, yeah?" he asked.

I answered in the affirmative. "Jawohl," I told him. -30-


(9/03/08)



"LXX"

by John Tottenham


(excerpted from THE INERTIA VARIATIONS)

LXX

It was not meant for me to fail.
It doesn't feel right. But it is
What I have chosen to undo
With my life, what I have unmade
Of myself. It is disturbing that I am prepared
To settle for so little: only promise. But perhaps
There never really was a time of promise; -
I've always felt past my prime.
-30-

(9/03/08)



"DISTURBING HISTORICAL DISTORTION/WHAT THEY DIDN'T MENTION/GHOSTS"

by Cole Coonce


(excerpted from THE DEVIL'S OWN DAY)

CHAPTER 6: DISTURBING HISTORICAL DISTORTION (1933)

As the film continues rolling, children play with sheets and scare each other, apparently an eureka moment for the formation of the Klan. This historical distortion disturbs Rommel.

"This film is less than useless," he barks. "This is not the history I expected at all. Is this not the story of the origins of the Ku Klux Klan? Where is the 'Wizard of the Saddle?'"

From the stuttering turntable Wagner's Ride of the Valkyries pitch-shifts in full song. Onscreen, Ku Klux Klan vigilantes battle a hapless militia of black men.

After grunts of disapproval, Rommel rises suddenly and walks towards the film projector. A hyper-real superimposition of Klan footage on the Lieutenant, with two hooded horsemen galloping and holding a cross, make the staff officers scrinch their eyes.

"Turn it off!" Rommel fumes and whacks a rostrum with a pointer. The adjutants jump, reach for a light switch and fumble with the film projector.

"Enough of this buffoonery and propaganda. I am unconcerned with cartoonish portrayals of final solutions."

CHAPTER 7: WHAT THEY DIDN'T MENTION (2001)

The more I study the collectibles store, the more I realize the place is a shrine to Nathan Bedford Forrest. Despite interrupting their lunch hour, the husband-and-wife antebellum memorabilia merchants spend the better part of the afternoon discussing the myths and folklore of the object of their passion, Forrest.

The stories are legend. One tale after another of Forrest risking his own neck in some daring ill-advised personal assault on enemy positions while his inferior forces triumphed exquisitely over a legion of bamboozled Yankees, each battlefield assault punctuated with pithy, percipient yet cornpone punchlines such as "Get there firstest with the mostest" and "Never stand and take a charge... charge them too," also "Get 'em skeered and keep the skeer on 'em."

"This Forrest fellow was epic," I tell my Cousin.

"Yes, he was," he agrees, "but these fine folks didn't tell you about all of his exploits."

"Really? What did I miss?"

"What they didn't mention was that Forrest was also the founder of the Ku Klux Klan."

GHOSTS (1933)

"To know Forrest, I must go to the source," Rommel cries. "To Brice's Crossroads, the site of Forrest's greatest triumph and the battlefield where he exercised his infamous pincer movement, movements to the detriment and annihilation of superior Northern forces. Find me a guide -- a survivor... somebody who was there."

"Herr Rommel," Burgdorf reasons, "that was seventy years ago. Is there anybody there who is even still alive?"

"If not, we shall be guided by ghosts."-30-


(8/14/08)



"CLOSED FOR LUNCH (2001)"

by Cole Coonce


(excerpted from THE DEVIL'S OWN DAY)

CHAPTER 5: CLOSED FOR LUNCH (2001)

The hand painted sign hanging on the door of Coontail Collectibles reads: "Closed for Lunch." The store looks deserted. I knock anyway. Inside, a back room door opens, a matronly proprietress emerges, motions with a forefinger for us to wait, makes her way through the aisles and aisles of antebellum-era thockes and then lets us in. We are joined subsequently by her husband.

"Is there anything in specific y'all was interested in?" she coos.

"Naw, just kind of tire kicking," I answer. "And trying to get a bead on the store's etymology."

"Well," she replies," we specialize in Suth'n memorabilia, if that's what you mean."

"And some Confederate artifacts as well," her husband chimes in.

"Indeed," I say. Pointing at a painting of a Rebel officer in a nest of dozens of Yankees who had taken aim with their rifles at point blank rage, I ask: "What's this then?"

"That is a battlefield portrait of Nathan Bedford Forrest taken at Fallen Timbers," the husband explains.

"He looks like he's in a lot of trouble."

"Oh, he made out all right," the husband says. "Notice how he has hoisted a Yankee soldier as a shield."

"The damn Blue Bellies shot their own man and Bedford Forrest made it out unscathed," his wife adds.

"The Yankee died, but Ol' Forrest lived to fight again... and again," the husband finishes.

The Fallen Timbers yarn has the elements of proper Civil War folklore: Southern chivalry, Northern ineptitude, replete with tragi-comic results.

"Well, I'll be dipped in dogshit," I say. -30-


(8/14/08)



"THE ONE BEER TO HAVE"

by Wrenchski


(excerpted from PULL THE PIN: The KeroseneBomb Readeran extract of THE ALCHEMISTS NEGRO: My 30+ Years As A Motorsports Bottomfeeder)

A one-two finish is what I'm after now...

Running a two and a half car stock car team when you are the only one able to find which end of the screwdriver goes in the screw is not fun...or funny. I'm running around trying to get all the tires back in the racks while the team owner (2nd car drivers mom) is bitching about how if her (nearly retarded) son drove THE CAR WITH THE GOOD PARTS IN IT HE COULD WIN SOME RACES, and I'm thinking everybody thinks their kids a winner... then why does SHE think JR's penchant for 12 year old girlfriends is perfectly normal when he's a couplea years short of thirty... tires in the racks, where's my jacks and stands and gas cans... O'sweaty is having his picture taken AGAIN with the goddamn checkered flag, and JR is in the spectator parking lot with his hand up Lolita's skirt AGAIN... they were out there between the heats and the main event... I need a helper old enough to open my beers and pour them down my throat... mind made up next week O'sweaty gets the number 2 car into the top three AGAIN and JR wrecks the number 1 car for the third time as anything with the least bit of stagger and left side weight causes him to careen from the outside across the railroad ties marking the inside of the turns ruining the wheels and most of the suspension...he says it's because the steering wheel is too big... (Mom bought him a tiny Grant chrome "racing" wheel for his B-day)

Fat balding man waddles up and offers me an open beer...

It's that goddamn cheap ass stuff my parents drink...only reason that brewery is still operational is they've discovered firemen cops and other civil servants are EXTREMELY loyal IF you give them free kegs for their social gatherings... to NORMAL people it tastes like it was strained thru an old gym sock.

I slap it out of his hand and tell him to GET ME A REAL BEER, DO I LOOK LIKE A FUCKING OFF-DUTY COP, OR WHAT? BRING BACK A BUDWEISER, FER CRISSAKES... He stammers and walks away. Toward Mom...much gesticulating and talking...he walks off...

Moms asks me what I did to the guy in the Hawaiian shirt... Morry... Morty... huh?

I ask why she cares...

It would seem unbeknownst to me She had invited the DISTRIBUTOR of the previously mentioned swill to a lil' after-race party for the brilliant idea of attempting to uh...date rape him and put the arm...lips...whatever on him for the expressed idea of buying say, a couplea MODIFIEDS and moving the whole deal into the big time... uniforms... trailers... trucks...tires... AND NOW I'VE RUINED EVERYTHING AND I'M FIRED...

I have to reply that firing a volunteer is difficult at best... especially when he DOES ALL THE WORK, AND OWNS ALL THE GODDAMN SUPPORT EQUIPMENT AND ONE OF THE CARS.-30-


(8/05/08)



"THE AIR STINGS OF CELLULOID (1933)"

by Cole Coonce


(excerpted from THE DEVIL'S OWN DAY)

CHAPTER 4: THE AIR STINGS OF CELLULOID (1933)

In a strobing smoke-filled classroom at the Potsdam War Academy, a silhouetted quartet of uniformed men puff cigarettes and fidget and watch a screening of D.W. Griffith's Birth Of A Nation. The air stings of crackling celluloid, and of the soot of history slowly melting from the heat of a movie projector's lamp. As the film strip burnishes from age and friction, emulsions decay and nitrates metastasize, mixing with hot balls of dust that float through the tobacco haze like dirty satellites in space. It burns the nostrils and the singes the eyelashes.

In lieu of an orchestra or a proper pipe organ, the soundtrack to the silent film is a perpetual whir of the projector's motor, a clattering grind of mechanical teeth champing on 16mm sprockets interrupted by a smattering of coughs from the assembled military staff.

A plump adjutant fiddle-fucks around with a flakey phonograph machine. A pair of staff officers, Burgdorf and Maisel, befuddled by the movie they have been forced to watch - an American film which purports to explain the necessity of the Ku Klux Klan in the Age of Reconstruction - squirm from boredom. A fourth viewer, Lieutenant Erwin Rommel, equally impatient with the movie's plodding plot and maudlin histrionics, taps his creased thighs with his leather field gloves. "If Goebbels made such shit he would be shot," the Lieutenant quips, and the rest of men chortle. The screening is Rommel's idea; he commissioned a print because of his interest in Nathan Bedford Forrest, the savage and savvy Confederate General who, after the Civil War, became the Klan's inaugural Imperial Wizard.

"Schneider! The needle!" Rommel urges, his frustration with the film compounded by the gnawing silences of the malfunctioning phonograph. The portly adjutant prods the phonograph, and strains of Wagner's Die Walkre jump starts to life.

On the screen, former friends -- and now adversarial soldiers -- shoot at each other with primitive rifles and then a Title Card reads: "On the battlefield. War claims its bitter, useless sacrifice. True to their promise, the chums meet again."

The scene cuts, and Griffith's portrayal of hand-to-hand combat in the American Civil War resumes. A Confederate soldier is shot and drops to terra firma. His "chum" from the North attacks with a fixed bayonet, and just before the inevitable skewering, recognizes his fallen Southern pal, smiles and puts his weapon down.

"Why doesn't he kill him with the blade?" Maisel asks, his lanky frame bent in a ball of confusion.

"His enemy must be his brother or his cousin, I think," Burgdorf responds.

Their discourse is interrupted by Rommel. "In war, there is no room for sentimentality," he argues. "Americans lack the cruel instinct necessary for pure, complete domination."

Birth Of A Nation continues in background; as strings swell, the compassionate boy is shot and falls over his dead friend. Dying, he caresses his chum's lifeless body. "The American's last great conquest was maybe manifest destiny," Burgdorf says. "Then they got soft."

"Yes," Maisel nods. "Maybe nothing was left so they turned on each other."-30-


(8/01/08)



"HELL'S OWN ROADIES"

by Wrenchski


(excerpted from PULL THE PIN: The KeroseneBomb Readeran extract of THE ALCHEMISTS NEGRO: My 30+ Years As A Motorsports Bottomfeeder)

I like to think of my kind as populating the pit gates of America's short tracks in groups of two or three countrywide... I think we once did. Underage-jeans/work boots/denim jackets over sleeveless t-shirts... nervously smoking cigarettes while hoping to appear large enuff to be 21... waiting for tired men in old sedans and borrowed tow trucks to pull in without their regular help..." HEY KID, are ya here to stooge, or just stand around lookin' tough," Ol' Red would say that, and you'd hop in his overheating Caddy, pass the pit steward and for toting tires fuel and pushing his TQ midget up to the track you got free admission and an eagles view of the racing from a first turn area marked CREW ONLY... we were hell's own roadies...stooges they called us, as in "Who ya stoogin' for tonight...?" Checking air pressure, occasionally removing the warm-up spark plugs and puttin' in the colder racing ones if the guy knew ya' well 'enuff to let ya TOUCH his engine... and brandishing bruised knuckle fists AFTER somebody objected to YOUR driver putting HIS into the wall or sending him spinning into the infield out of the money... we were HELL'S OWN ROADIES, boys... we changed rear end gears layin' on towel-covered cinders, hot grease dripping from our elbows and all the girls too young for a driver fell into our waiting arms... the beer and whiskey flowed afterwards and tall tales, verities and balderdash flew... we would live forever, and nothing would replace us. Nothing. It was the sixties, into the seventies, and we never changed. The game did. -30-


(7/30/08)



"THE MEASURE OF A MAN"

by John Tottenham


(excerpted from THE INERTIA VARIATIONS (EXPANDED))

A long time ago I made a decision
To become a failure. It wasn't
As easy as I thought: browsing through life
From one distraction to the next, while waiting
For the last lost moment to become unseizable.
As if there were some fundamental honesty
To not striving: There wasn't. --
I suspected it all along.
-30-


(6/02/08)



"CHAPTER 3: COONTAIL COLLECTIBLES (2001)"

by Cole Coonce


(excerpted from THE DEVIL'S OWN DAY)

CHAPTER 3: COONTAIL COLLECTIBLES (2001)

When Grandma died in 2001, she was to be buried in the same cemetery in Aberdeen, Mississippi that interred Nathan Bedford Forrest's brother. Before her burial, I left the Episcopalian Church where she lay in state and I gathered my cousin to accompany me on a tour of Aberdeen (a town I lived in briefly as a youth -- and as a teenage rebel, one I couldn't get away from fast enough) ... We walked through the downtown area to see what was left of it -- to see what hadn't been usurped by the local Wal-Mart on the outskirts of town. Beyond the machinations of market forces, I also wondered how much of the so-called "New South" and its enlightenment about racial co-existence had taken root there -- had rural Mississippi finally followed the societal vicissitudes most of the country had taken for granted a long time ago? During our walk many things were as gothic and languid as they had been twenty years earlier, the last I had visited the place: For example, the diner was still there -- the same lunch counter one of my spinster Aunts had picketed in the 1970s when the restaurateurs had belatedly acknowledged the 1965 Civil Rights Act and finally started seating and serving blacks. The local walk-in movie house was still there -- the same bijou that as a teenager in the 70s I patronized and watched Joe Don Baker portray Sheriff Buford Pusser in "Walking Tall'; back then what struck me as curious was that the theater owners made negroes sit in the balcony.

Nowadays the theatre is shuttered. My guess is that videotape rentals at Blockbuster had taken care of the actual movie-going experience and had rendered discussions about segregated seating in the local nickelodeon moot.

After marching up and down the Main Street with my cousin, we take a wider orbit into residential area that surrounded downtown. This is not the richest section of town nor the poorest, but here blue and white-collar blacks and white co-exist on streets where antebellum mansions can be scored for $70,000 or so. Encountering sundry slices of life sipping soda pop and swinging on porches or walking down the street, my cousin and I acknowledge that everything seems peaceful if not simpatico.

In our travels, I see a sort of Quonset hut turned into a store. The sign outside reads "Coontail Collectibles' and its iconography featured a raccoon.

I cannot figure out if the semiotics and semantics of the sign are harmless enough or are an outrageous racist caricature. Do folks actually collect coontails around here? Is that a euphemism?

"C'mon, man,' I tell my cousin, pointing at the smiling 'coon. "We have to deal with this place.'-30-


(7/23/08)

ELEPHANT GNOSIS: TWO

by David Kettle

(excerpted from ELEPHANT GNOSIS)


ELEPHANT GNOSIS: TWO

So God bless me. The country, since I flew in, is worse than it ever was. I made it bad. But I made it good again. Force of nature, that's me. The skies are, or were, full of mourning and pain. The buses don't run on time. The world is spinning on a wobbly axis, metaphorically hitting the skids. The fields are full of death, the streets full of decaying show reels. My soul's beyond retrieval just now and frankly in some pain. I'm hitting the bottle big time and my marriage could be down the crapper. My knees ache and I realize it's time for a quick stock take, a period of reflection, a re-charging of the sepulchral will. Still, plenty of elephants left before extinction, before the end times really kick in. The End Times, that's a concept I foolishly leased out for use by old-time satirists, but I need the money. They pay me for it of course. Mythic I may be, but I still need hard cash.

But the swelling in my left kneecap is really getting me down. I was numb down that whole side and I was even number after the latest of many attacks. Where and when did that happen anyway? There's a sort of bony growth that really seems beyond physiotherapy or surgery. My belly's distended and the eyesight's going fast. Time then for suicide. In the waiting room, I prevaricate as Ahab pontificates. In these end times, we get the deities we deserve and of course we, or you, don't deserve that much. Millennia of obfuscation and self-delusion in the realm of ersatz gnosis, inferior forms of self-worship, have done you absolutely on favours at all. It took you a few hundred to realize even that the earth only had one moon and that the sun was relatively a stationary object. You don't see things right under your noses. I've noticed that. The centuries you've spent chasing up blind alleys, wildly caricaturing yourselves, stoking up the fires of self-deception, righteous anger, cruelty and mutual loathing are centuries you'll never get back. Ever. We all look out for ourselves in these end times, so God Bless Me. Thing is, my theology says nothing about suicide. That's the problem. In self-help religiosity mode, we have to extemporize, make it up as we go along. There's no attendant notion that suicide constitutes the unforgivable sin or any nonsense of that kind. It is, hyper-parodically, an echo of the old times, when rock deaths used to be described as career moves. Many a word in jest and all that. Just occasionally, the world gets it right. Rock deaths are improvised suicides, full of religio-financial intent. This is, or was, my gift to the world. Career renovation, the making good of crusty old rockers, the dusting off of moribund back catalogues. God, I am feckless.

Of course, being a household god, albeit a tarnished one, I don't answer to any other god or gods, only at board emanation level. For my sort, as well as for those actually in need of career renovation, suicide is not only the only option, it's the central defining metaphor of our entire cultural and religious identity. But that's not a negative thing, as it might be in the quotidian realm. You have to see that for us... Suicide is our Big Thing. All circumscribed deities are big on suicide. We can take it more or less blithely because we know how to re-activate. To re-enter. It's just a trick, a feat of prestidigitation learnt a few millennia ago. But you'll have to trust me on that one. It's not like death is the end or anything. Suicide is just a portal, a kind of reversed karmic renewal, a credit in your personal enhancement with-profits secular schedule. But we do have to be careful. If we don't go out with a big enough bang, if our self-inflicted end isn't of a sufficiently manifest and exceptional nature, we risk returning somewhat diminished. We then end up as kind of low budget features, or depraved reptilian hybrids, feral pigeons, icky celluloid nightmares. Cheap B-features, if you get my drift. The more imaginative and singular the end, the more rewarding the re-entry, is how I'd have to put it. We are obliged to attract attention. For instance, being burnt alive on remote Hebridian islands, a funeral pyre of note, with sympathetic journalists invited. Belly up in the Thames, with attendant media outrage at the safety standards not met by our registered owners. A national epidemic of a disease previously considered obsolete. It's a kind of animism of the momentary relapse. Particularly bad sitcoms, leading to fewer offers of work but more offers of debased sightings and appearances. Really vitiated suicides result in merely desperate appearances on daytime chat shows, plugging the detritus of mal-conceived intent. The more media attention our suicides attract, the higher the karmic pay-off. Think of it as having a mortgage and electing to pay off huge sums all in one go rather than sticking to the prescribed interest rate payments. We could just put it off, routinely committing humdrum suicides, living lives of enervating boredom and thankless drudgery, but the smarter household gods attempt every now and then to hit the exit button with a flourish, go out in style. Hit the big one with a bang. It's like money in the bank.

The only thing we need worry about is media coverage. You have to be covered. It makes sense. You know it does fellas... you seek exposure? I'm your man. If only the ironic pronouncements all too common in these end times were taken at face value then you might be getting somewhere. It's only the household god who can live life as metaphor, the rest of you need to take it at face value. But I shouldn't really be telling you this. You have to learn it good for yourself. Suicide really is painless. It's also guileless. Artless. Straightforward... nothing to it, as long as your agent knows where and when. That's the only really important thing.

Self-immolation in modest flames. Camera crew present. Simulacra burnt at the stake. My body consumed in the flames. High stakes for the return trip, reborn, painful rebirthings. Check out the oppo, the distilled essence of pure evil, the forced rebirthers, tightly wrapped homicides dressed up as therapy, children forced to rebirth and love their mommies, the rejuvenation patrol. Evil therapists from the new age, together with their shoddy pals, the catholic counter-psychological reformation agents in all known media, make spirituality very difficult. They look within and see the large ghost of a flea, not the other thing. The beast inside, the tawdry beast. The fictional beast capable of bad things. They said it was for the good of the child, that she didn't WANT to be reborn. They are the essence of pure evil. We'll deal with them... later...

Anyway, I must proceed. You see, I believe what you'd probably characterize, and with apparently good reason, as insane things about myself. Such as that my body has become compromised, my legs seem to go missing, I have to dump out of a bag in my stomach. Corporeal realities are visually circumscribed. I have the evidence. I am compromised, but I have a way around it. I am hailed as a genius by minor gurus, small-beer therapists, and lesser psychological profilers, in tautological approbation of my divinity. I go on the lecture circuit, consuming freebies, accepting the patronage, taking kickbacks. My knob twiddling entourage feed tidbits to the crowds via a sort of unearthly reverb, making me sound even less human than I already look. Trumpeting and honking are the message and the medium. My head in the elephant head mask is inclined conspiratorially towards audiences cowed by instinctual deference. They are bedazzled and confused at the real time metempsychosis that is taking place. I go over big on the circuit. My ex-wife talked me out of it before, but not now. She talked out of her arse and shot herself in the foot. Left me in no doubt as to my sheer impotence in her eyes. Shot her former lover in the forehead. But I stood by her... character references and all that. Her former lover... a weaselly homunculus, a turbaned and trepanned minimus, a withered bit part player, a waste of oxygen. She never got the elephant thing. That's the thing. The method. Every tomtit gnosis needs a method, so of course my (or our) version definitely needs a method, a technique. She didn't realize that of course elephants are the easiest creatures to transport through time and space. Because of their spiritual weight. And size. And ratio of hippocampus (temporal lobe) to brainpan size, body weight and heart size, and size of arse. Also slowness of heartbeat, the universal vibration... that sort of guff. But it seems to work. Elephants are the most spiritual beings of all in this realm because they not only literally dump the most waste matter, get rid of the shit so to speak, they know how to locate the spiritual-directional vectors. Bus lanes. They embark on bus lane peregrinations around the precincts of towns and cities in response to pre-ordained, previously laid down devotional tracks. Follow this template and you're a holy man. That's how I became my own shaman. And elephants reveal the truth just by being. Dumping big time. Metaphorically, I dumped on people to get where I am. But I love them now as I love you now. I'm full of love. I speak in tongues, as follows... to confuse Abrahams...

... J'accuse. I accuse all the middlemen of not aspiring to be the top men. I accuse them of lack of recognition. I accuse them of failing to actualize at the highest levels, of blanching before the haughty spirits of war gnosis. The fight for self-love was lost in mid battle. Answers on a dead man. The dead rose up as monsters, vampiric emblems of lost spirit, to remind you that you were guilty of killing them. The middlemen holding tight in the middle, the empty and vacuous middle mass. The chatterers and the bowdlerizers... I never could read a book. It was a kind of dyslexic disassociation, a defence against the demiurge, Old Nick with arched eyebrows who enters through printed words. Devils in grown up language, dyslexia a defence against abstruse code. Films are worse, arched eyebrow golems in the grain, rising up, entering through your eyes. Former conflicts all producing their share of cinematic monsters. My eyes close involuntarily all the time. I lie here dying, burnt out. I look through the windows at my retinue and yell "open the fucking door!" They don't hear me; they just synthesize my voice so it sounds more and more unearthly, more elephantine. Because I am the creator of this meme. This lifestyle, a choice you can make. There is, therefore, a price on my head. I am not undervalued, by my followers (ex-wives) or my pursuers. My stock is high, never been higher. I leave by the in door. I fool them all. Planes leave Heathrow every 2 minutes. It's not difficult...

These words flap out of my mouth like bats, crazed signifiers of my bad intent. Public indulgence is bought by the lugubrious sense of hope engendered through elephant metaphors and similes, my voice synthesized to maximize my elephantine intent. I shamelessly use all available prestidigitatory techniques, setting fire to my fingers, collapsing my lungs, levitation over the heads of the audience. I punch the rubber shark. My methods relieve insecurities, loss of confidence and lack of self-worth - but in the wrong hands it can do untold emotional damage. And my hands (you're ahead of me fellas!) are the wrong hands of course. They have to be. I can't be good all the time. Of course, my bad is equivalent to your good. That's the catch. Yours are the only hands that are right. But I take no pride in wrecking the emotional well being of people who listen to me lecture. The whole point is that they reject me, and watch me burn. I am a universalized martyr, transfixed with flaming arrows. I am burning, my ex-wives say I always was, but I'm burning up now. But it's all a trick, a sleight of hand. I'm in flames, a metaphorical cash furnace, a special effects show, carefully and painstakingly created by analogue means. Old nick, old SK stole my idea for the SG sequence, or rather didn't steal it... he used me, directly. He used me, burning up in multiple orgasms, twisting like prisms in the cosmic rays of exploding galaxies. He was thinking not about the infinite, but about money. Of course you'll say I should have patented it before he got to me, and you'd be right. But the world needs these sorts of reclusive geniuses, as they do their bit in mopping up unused electricity, so I was happy for him to have the credit. Happy for him!!

(I am in a bubble here. Let confusion reign. Praise Eris, goddess of confusion!)

Of course the thing that will absolutely ensure your specialized spiritual regeneration is simply a fear of missing out. The impulse to greed, the gnawing suspicion that someone, somewhere else is enjoying something that you're not. That's me all over. That's Frank as well. But in his case, you can add an unpleasant shadenfreude into the mix as well. He has to go too far. Not content with coveting the happiness and spiritual fullness of others, he must actively go out of his way to destroy it wherever he finds it. He reduces shop girls to tears by condescension; he grandly denounces those who incense him. Buying a pair of socks represents to Frank merely the opportunity to bully and to intimidate. It seems to enliven him, make him glow brighter. He expostulates and gestures like a theatrical knight on the most trivial pretext. His presence is oppressive and he revels in it. Of course he does. I, on the other hand, pump people full of false self-confidence, overload them with resources, via grants through the Attention Seekers' Allowance scheme, and make them believe in their divinity. Get them on TV, then I pull the plug. I ramp it up, spinning yarns about the validity of "projects" they can involve themselves in, projects that aren't really worth the paper they're scribbled on, a stock so worthless we don't even go public. The bubbles then burst, the careers are over before they've started, and they're destined to play out their lives on satellite/cable shows, presenting. Presenting is (as though you didn't know) just the newest, most livid metaphor. The best model we've yet devised. So they've learnt a valuable lesson, despite (or because of) my cruelty. My cruelty is, seen in this light, a vital component of a modern view of the world. We're post-psychology and need new myths. New mythic, epic techniques. Come to think of it, we're post-everything. Everything's gone. There's a vast hole there, waiting for new myths to come rushing in.

To be an adept, you don't need to be good, just persistent, and to possess the ability to deny the evidence of your senses. Appearance is reality, now as it's always been. Mobility between social castes has never been more pronounced. Anyone can present. It's the new thing in a city of imprecisely new things. But some presenters have become so mesmerized (too much OD'ing on patented Gnostic juice) that they just don't see it coming. They're sleepwalking to disaster, not aware of the danger. They can't see that their lives, lived purely as metaphor, are ill equipped to withstand the inevitable diminution of the fame they've struggled so gamely for or of people's desire to look at pictures of them. They are still calling the elephant, a semi-parody of the religious process, but it seems to cover it. Those who are thus stranded, calling the elephant, lose sight of the need to let it all go. Their re-positioning on cable TV is a necessary purgatory through which they need to progress to achieve the full Gnostic Monty. They must die metaphorically before they can achieve full Elephant Gnosis. Crowds of ex-corporation presenters resembling baseball-hatted ghosts throng the streets outside Broadcasting House, moaning incantations and murmuring curses, unable to accept their apparent demotion to minor celebrity-hood. They fail to notice that there are no bus lanes along Portland Place. They just meander aimlessly, merely succeeding in disturbing rather than dispersing the electricity pools underneath the transmitter masts. They are doomed to wander in ever decreasing circles of thankless anti-gnosis. Gardening shows, makeover drivel, cheap historicity/archaeology crossovers, that sort of thing.

The last celebrity crash a few years back gave me the opportunity I required to re-establish some sort of authority over the public Gnostic process. I'd been derided by some as a sort of Cassandra, a teller of prophesies that were destined to be believed by no-one. They laughed at my stories of the spiritual motherlode on our very doorstep (the elephants) and my descriptions of techniques whereby the spiritual harvest might be gathered in, and my keening warnings to take it all semi-seriously. They pooh-poohed my placement of elephant trails where previously only bus lanes had existed. The whole thing was popularly derided either as a fanciful and ludicrous conceit or as a monstrous and dangerous flight of fancy, depending on the perspective of the critic. Then the crash happened, a result of too much fragmented celebrity, too many ill-conceived careers sliding towards deserved oblivion, the stock of multifarious dim-witted show-offs sinking to previously unimagined lows, no-one able to get work on even the most debased game-shows, the cultural temperature rising as punters everywhere, in a froth of indignation at the lassitude and ineptness of the performing classes, demanded value for money - this was when the time was right to launch my government sponsored initiative. The ASA scheme immediately rescued the moribund careers of hundreds of thousands of vapid gesticulators and autocue leeches. I was hailed as a hero, although no-one could see that really it was intended purely as metaphor, the metaphor indeed to end all careers. I inaugurated a one man sanctified and Holy Roller show, a very explicit technique to facilitate another spectacular re-entry. I did it for them, for you, that you might see inside yourself, that you might embrace your divinity... get a job on TV, that I might be reborn as a god more powerful and more feckless than ever. My ex-wives are legion. I rope them all in, even though their understanding of the concepts behind Elephant Gnosis is vague. I don't scapegoat though, I merely move on. I take what I need and then I burn rubber, I'm out of here... can't see me for dust.

The Mojave is my refuge when the heat's on. Always good for old or young, raddled and dysfunctional, misunderstood rock gods. In a trailer, I hunker down till the next one happens along. I am obliged to be an energy vampire, at least for a while. Just for a short while. I am a desert rat. I can do it by numbers anyway - always could. This debased aspect of my talent, this cheap showmanship that abuses the trust of languid rock gods, is very coffee table. The filth, the drugs, the mutilation, the degraded personal relationships, the spilt bodily fluids, the re-configuration of bodily co-ordinates, the retro-realism of hyper-observed characters, the wallowing in brazen cultishness, the dialect, the rhyming slang, the shaven headed excesses, the linguistic virtuosity, the febrile plot-lines, I can do all that standing on my potato head, but what's the point? I work out now in the gym. So that you don't have to...

I am the personalized hip priest of my own religion and I make it look easy. I have discovered techniques that the therapy whores can barely dream about. I know elephants and what they are capable of. I know it inside out. I am what you want to be but don't want to own up to be. I will kill again Ahab. I will kill you or me in the attempt. I look down at the by-numbers culture and I see that you want bad things at least in your dreams, if not in your lifestyle. Bad things kept at bay in your dreams. Your contained dreamtimes are thus at my disposal. I am the bespoke purveyor of self-conscious religiosity to suit your every need. I'm only semi-conscious as yet. But you are sleepwalking. Dreamtime for the elephants, they dream you back to wakefulness if you've got the heart for it. Their bad dreams, over-loaded with spiritual intent, suck the badness, the electricity, away from you. I'll write a fuckin' book about it some day. But no word will ever be said lightly, everything will have substance, there will be no frills. My propositions are elucidatory. If you understand me you'll finally recognize them as senseless. When you have subjected them to scrutiny, swung in their branches, pulled the foliage off them, climbed out through them, on them... over them... you must, as it were, throw away the ladder after you have climbed up on it. My propositions are transparent invocations; my patented techniques are transitory and public. -30-


(7/10/08)


"CHAPTER 2: THE MICRO-FILM (2006)"

by Cole Coonce


(excerpted from THE DEVIL'S OWN DAY)

CHAPTER 2: THE MICRO-FILM (2006)

I had heard the oral history about some psychic, cerebral and strategic connection between Field Marshall Erwin Rommel and Confederate General Nathan Bedford Forrest -- how Rommel had studied Forrest's battle tactics to the point of actually retracing his predecessor's steps. At the gates of a Confederate graveyard outside of the Brice's Crossroads battle site I began to understand just how pushed, damaged and Jungian the folklore really was. At this junction -- an intersection fabled to those who know the minutiae of war history, yet largely ignored and consigned to oblivion to the rest of the world -- parked in front of a rather ramshackle replica of a cannon, sat a late model Chevrolet Impala SS sedan sporting Texas plates. Because of the generic make and model of the car, and the fact that it was domestic, it appeared to be a rental. Most probably, some Civil War moonie had rented the car in his or her hometown and blasted across Texas, Louisiana, and the Mississippi delta to get a glimpse of the same battlefield that -- legend has it -- had intrigued Rommel.

As I entered the gates near the graveyard for the confederate dead, I ran into the driver of the Texas rental. True to archetype, he was some mid-40s, mustachioed Civil War zealot/nut in a Hawaiian shirt, khaki shorts and leather sandals. My presence startled him, but he instantly recovered from shock to bug-eyed understanding, thinking he had encountered at this, arguably the most esoteric and forgotten battlefield in North America, a fellow traveler, another damaged authority on all matters military... a connoisseur of the conquest, and an enthusiast of eradication... and a friend of Forrest... (I am not sure I would have corrected him had he inquired to that effect...) In his zeal to share, he proffered a roll of 35mm film for my analysis and said: "I have the micro-film for Rommel." This seeming non sequitur provoked a loud silence. I was stunned. He took my muted response as an appreciation for what he was saying.

"Everybody knows Erwin Rommel came here in the 1930s to study the lay of the land at the greatest American Civil War dark horse victories," the Hawaiian shirt explained.

As the Teutonic Tropical Texan put his "micro-film" in the pocket of his garish garment, he concluded, "This time the Germans are going to get it right."

Then he drove off.-30-


(7/05/08)



"THE RITES OF INDOLENCE"

by John Tottenham


(excerpted from THE INERTIA VARIATIONS)

Breathing in the stale draughts
That sift through the cracks in the sofa,
Slowly dreaming myself into a demoralized fog
That loosely resembles the conscious state.
Groggy with unneeded sleep, I approach the table
Wondering if there is any use, at this point,
In attempting to do anything.
Probably not. But the gesture, at least, must be made.
-30-


(6/02/08)



"CHAPTER 1: ROMMEL OVER SHERMAN/WHISPERS IN THE WIND"

by Cole Coonce


(excerpted from THE DEVIL'S OWN DAY)

CHAPTER 1: ROMMEL OVER SHERMAN/WHISPERS IN THE WIND (1941)

In North Africa, on the simmering southern shores of the Mediterranean Sea, Nazi Field Marshall Erwin Rommel raises his binoculars and attempts to make sense of the swirling fans of desert dunes. In a maelstrom of blood, motor oil, grinding wheels, sand and tank snot, men are chewed up like gristle in a series of slow industrial accidents. Rommel is indifferent to the suffering.

The wind blows and the Field Marshall wipes his eyes. It wasn't supposed to be this difficult... but Berlin had insisted on splitting the Reich's firepower and manpower into two fronts -- on separate continents, making the strategic deployment of arms and bodies half as efficient and twice as bloody.

His troops are getting pummeled, but they continue an inexorable march into the shape-shifting sands of utter annihilation.

"Hit them on the end!" Rommel growls, but his famed pincer strategy cuts no muster on a battlefield mushy as Malt-O-Meal.

It all continues to turn to shit. Disorientation is now situation normal. Infantry is immolated and Panzers are pummeled. The desert heat, the fumes, the bone-shivering bombardment... the earth is made of marshmellows and quicksand. Rommel wipes his eyes with a gloved hand, disbelieving.

Still trying to gauge the size, strength and position of his foe, he looks through his glass once more and the dust parts just long and wide enough to create a hole in his consciousness. He shakes his head. He cannot believe what he is seeing: The Allied forces are not in tanks, but are on instruments from a forgotten century. It's Yankee cavalry. From the American Civil War... "Hit 'em on the end!" he repeats, oblivious to the absurdity of the hallucination.

"Vas is Das, Field Marshall?" an adjutant inquires.

"Sherman," Rommel exhales.

"Sherman tanks?"

"Nein," Rommel mutters, lowering the glass again. "William Tecumseh Sherman."

"Scheie," the adjutant whispers.-30-


(5/29/08)



"POSTMODERN POSTURERS"

by Cole Coonce


(excerpted from SEX & TRAVEL & VESTIGES OF METALLIC FRAGMENTS)

"So are you going to pan this show or wot? Caption it with something clever, like 'No, No, No.'" It is Sunday night, March 14. Tottenham and I are having pad thai on Hollywood Boulevard, a preemptive, high-carb soak-up of imminent libations to be imbibed during and after the Yeah Yeah Yeahs' performance down the street at the Henry Fonda Music Box Theater.

"Ummm, you can keep your headline, but, yeah, I'll probably bag on those guys. From what I've read, nobody has really dissed the Yeah Yeah Yeahs yet, and they are at least due."

"Good for you. Their fans don't care about music critics, anyway. It's so over for you and your lot. Like all that shit that runs in the Calendar section of the L.A. Times. A bunch of useless dross by Hilburn and all those other tossers. Nobody cares what you have to say." He points his chopsticks at me.

"I know it is an exercise in futility, Mr. Tottenham, but I have to say something. Lord knows I can barely be bothered to endorse a check, much less power four cups of Café Bustelo and attempt to hammer out 650 words on this month's KROQ darlings."

"650 words? Well, here's something to pad your word count. Say 'the problem with the Yeah Yeah Yeahs and today's twentysomething musicians in general - today's legion of postmodern posturers - is that the world is ready and waiting for them.' Say that. Say: 'When we were in our 20s, the world was not ready for us. It's not the Yeah Yeah Yeahs' fault, it's just the way it is.' Go ahead, write that down."

"I can't write that down."

"Why not?"

"Because you said it, and I didn't. I have a certain journalistic integrity to maintain."

"That didn't stop you when you reviewed the Country Teasers a couple of months ago. You quoted me as saying, 'Flannery O'Connor, I always hated that bastard,' which I didn't say, you did, and then you told me, 'Don't worry, everyone will get the joke,' which no one did, so I came across in your little newspaper looking like a total moron, not somebody whose book smarts and intellectual abilities work on a meta-level."

The Yeah Yeah Yeahs play for 40 or 50 minutes. Two guys and a girl. The arrangements toggle between two sound pressure levels: pretty loud and really loud. The girl yelps and screeches, throws a chair, and rolls around on her back like the flapper Wrath of Fatty Arbuckle; the guitar player summons an absolute tsunami of gnarsome soundscapes, ripping a hole in the very fabric of space and time; and the drummer ... drums.

Afterward, Tottenham scours my notes.

"'Big Jesus and Mary Chain Trash Can?' Nobody is going to get a Jesus and Mary Chain shout-out, much less an obscure Birthday Party reference. Anybody who remembers Nick Cave's old band overdosed 10 years ago."

"But that's where that young gun-slingin' guitar player got his haircut and his shtick."

He ignores me and continues rifling through the notepad.

"'Patti Smith from Riverdale High?' 'Menstrual cramp anti-rock?' 'Pole dance instructional videos?' Is that the best you can do in describing that saucy little vixen? I say she is a spirited lass, and you are not going to do her justice with your purple doggerel.

"But you have to mention the bit where she was groveling on all fours, with the microphone stuck in her pie hole. I rather enjoyed that. Oh, and mention that tunic-waving she was doing, you know: the constant opening of her skirt."

"I'm way ahead of you, pal." I point to a passage. "Right here: 'The airing out of the bread factory.'"

He laughs. I order more wine, and he resumes perusing my notes.

"Hang on. What's this, then?" He reads: "' ... the problem with the Yeah Yeah Yeahs and today's twentysomething musicians in general ... .'"-30-


(5/22/08)



"UNSANCTIONED GODDESS"

by Wrenchski


(excerpted from PULL THE PIN: The K-Bomb Reader; an extract of THE ALCHEMIST'S NEGRO)

And the wheel was invented, probably by accident like everything else, maybe some nomad's fire ring rolled downhill while he was moving it and he wondered what it would be like to RIDE that sucker...

He was gonna be the first racer and didn't know it yet.

Fast forward to a time of mechanical mayhem.

Kids who found algebra too tame after evenings of making parts for old farm tractors discovered the old tin lizzie behind the barn and used it to invent motorsports...what was the reason to speed up the machine if you couldn't prove your superiority by trouncing the kid next farm over... a whole sub-society was born.

They didn't like the company of other people... when you tightened up a nut on a machine, it stayed tight or had a VERY logical reason for coming loose.

Not so with the human engine... it was born loose, and often stayed that way.

One of everything... one vehicle... one driver/mechanic... one toolbox, one spare whatever, a homemade towbar between the racecar and whatever you could borrow to drag the no-longer-legal-vehicle to the racetrack...

He was dirty, broke, smoked, drank, fought, fucked and pretty much did everything by himself for himself and didn't care what anybody else thought about his actions.

He did not band, bond or hang around with a group...he was alone in his own thoughts... no desire to stand out in a crowd, his actions stood above them all and as groucho put it... wouldn't join any club that would have him for a member.

And the promoters found him... people who could not show you a tangable product for their days work... they neither built, nor repaired.

They packaged.

They took yours... and they sold it to others... they sold the abilty to stand right close to what you were doing, and bask in the dark sunlight of your deeds.

And you were left helpless by your inability to band together...you were rivals... you were combatants... you dreamed of ways to stand above crowds, not herd them together and empty their pockets.

The animals couldn't run the Zoo.-30-


(5/19/08)



"THE DAY OF THE HOUSE OF PIES"

by Cole Coonce


(excerpted from PULL THE PIN: The K-Bomb Reader; an extract of COME DOWN FROM THE HILLS AND MAKE MY BABY)

THE DAY OF THE HOUSE OF PIES

I meet BZ the Screenwriter for a cup of jake and some lemon meringue at a place called the House of Pies on Franklin and Vermont in East Hollywood. The HOP's habitues are old folks, the last vestiges of another Los Angeles, another Hollywood. Or maybe another lifetime on another planet. They are from an era when folks dressed in suits and put on a hat just in anticipation of a trip out of the house to get a piece of banana crme pie. In The House of Pies. Its architectural design is a weird, flattened variation on the Googi architecture that dominated the landscape in Southern California back when the car culture really took root in the 1950s and 60s. Sharp, salient and pointy, Googi would puncture the sky and catch the attention of passing motorists by its very shape.

*****

Except for the House of Pies and some forgotten car washes in the ghetto, Googi has all but disappeared. Los Angeles has always possessed a real hankering to obliterate its past. It has no sense of history, and doesn't want one. What earthquakes and fires fail to accomplish, the limited intellect and attention span of Los Angeles does. Most examples of Googi architecture were razed and bulldozed long ago, but somehow -- perhaps because it was a muted variation on the style -- the House of Pies survived the purge. In that tradition, the House of Pies angles are smashed two-dimensional and obtuse. It is one of the few buildings left that survived LA's architectural purge of the 1980s, when boxy mini-malls, industrial complexes and 99 stores infiltrated the landscape like a virus.

BZ fits right in at the House of Pies. There is something about the old gomers there that makes him feel right at home. BZ is also not of this time. He considers this modern era -- the Infotainment Age -- a mistake.

*****

I am late and when I get there he is already working on his pie as well as a weathered copy of the Nathanael West novel, The Day of the Locust. I order a cup of jake and a piece of pie. I ask about the plot and the theme of the book, which BZ tells me debuted in 1939 and scandalized Hollywood as an expose on the damaging effects of the motion picture industry.

"West not only tapped into the hubris of this town, but how the Dream Factory creates not just illusion, but its logical byproduct, disillusionment."

BZ stabs the air with a forkful of gooey pie foodstuff. "It's not that different from the people who make this pie filling." Jump-started by gobs of processed sugar and caffeine, BZ is off to the races, kicking into high gear on a soliloquy on the Entertainment Industry as the New Military Industrial Complex.

"Hollywood is a self-perpetuating cottage industry," he continues, "that must churn out more and more entertainment in order to survive. To grow. To flourish. Its insidious nature is such that it has to convince the Locusts, the consumers that they need to purchase and absorb this stuff in order to make their lives meaningful. Which was a lie worthy of Goebbels, who was just beginning to reach his stride in the Third Reich when The Day of the Locust was written. West was prescient in that he knew that entertainment is merely cultural fascism."

"Are you telling me that there was little difference between, say, Irving Thalberg, Paramount Picture, pie filling and the Third Reich?"

My coffee and rhubarb arrive.

"The manufacture and distribution of pie filling is the least problematic. There is very little difference between what product is coming out of the studios and what propaganda was issued from the Politburo or the Reichstag after the fire."

"But isn't a screenwriter such as yourself equally complicit? Aren't you as evil as, say, some Kraut in a guard tower at Dachau?"

"That is where you are wrong, sir. It all boils down to self-awareness. Read this book. No one in it is exempt from West's wrath. But the protagonist-slash-anti-hero, Tod Hackett, shows uncanny and astute self-awareness that makes him the least dubious character in the entire manuscript."

"Self-awareness?"

"Yes, self-awareness. It makes all the difference. Tod Hackett shows such traits in a painting he calls 'The Burning of Los Angeles.' Hackett finishes this painting just as Locust reaches it dnouement in the form of a holocaust of fire on Hollywood Boulevard."

"So this book is about the Apocalypse?"

"Yes. Rapture. The Judgment."

"So you're saying Hackett's self-awareness spares him somehow? Umm, I still don't see how self-awareness gives any of us an exemption."

"Of course you don't. You do not possess any. You are lost in East Hollywood and you happen to play guitar, the most reductive form of expression since the Sex Pistols immolated in San Francisco in 1978. You have this delusional idea that music is somehow different from the other forms of electronic media that corrupt the sanctity of the human spirit."

"I am trying to reconcile this with your script, Zombie Cop."

"You are missing the point then. As an artist, you are fucked but you do not know that you are fucked. Therefore, you are truly fucked. On the other hand, I am fucked, but I know that I am fucked. Therefore, I am not truly fucked.

"Do you see the difference? Of course not, because you are truly fucked." -30-

(5/15/08)



ELEPHANT GNOSIS: CHAPTER 1:
"HAPPY NOW?"


by David Kettle


(excerpted from PULL THE PIN: The K-Bomb Reader; an extract of ELEPHANT GNOSIS)


... ... ... If only... ... ... If only they knew...Clouds billowing, muffled Alps, they draw the air and the electricity in and away. Mushroom edged underneath heaven, the snaky vectors of my bad intent are written out in longhand. Elephant trunked and bilious, the clouds portend something. They are under the scored planes... ... ...

ONE.

Happy Now? I'm here again. It's me... Buffy Strangelove... Remember me? It's time for re-entry. Turn the mobiles off. I'm under the floorboards and in the waiting room. I'm needled. I look around and cultivate contempt for my fellow passengers. All except Dionysia, my intended. I love her, because she's like me, because she is me. I forgive everything where she's concerned. I'm looking out at the planets and I'm flirting with rage. I've just had my 6th, one drink too many and I'm eyeing up a suitable target for dischargeable anger. When the gods fall out, mortals tremble. And I'm raged up, full of anger. My last re-birth was ineffectual. I blew it. Big time. I flew in at 8:00am a reduced presence. Never got used to the stomach churning pressure bursts that characterize cheap economy flights up and down the world, never acclimatized to the sudden loss of altitude, scoring a cheap lesion of freighted panic in my temporal lobe, electrical circuits suddenly billowing with undischarged energy...

Planes cleared for landing choreograph a mimetic ballet of grace. In and out over the sea, lugubrious and of undisclosed tonnage, the planes score out these vectors of intent, bad intent, whose directness mimics their passengers' incorrectly assumed infallibility. It's a conspiracy of complacency, airline placemen affecting indifference, producing a kind of somnambulant acceptance of the inevitable. Out to sea and a few circles described gracefully against the nothingness before banking back towards dry land. Birds of a feather, ironclad, bursting energy barriers, and churning the uptight stomachs of raged-up economy fliers, back from backpacking holidays and mini-breaks to the continent.

I have to admit I don't seem like the best of flyers. I act out like a novice, wincing and palpitating with fake anxiety. I grip the arm rests in simulated panic, my furrowed brow describing an outright unease, a pretence which keeps in check my propensity for flight violence. I feign a nervousness I don't feel, affecting a satirical antidote to the spurious serenity of my becalmed and complacent fellow passengers. I scream suddenly and ridiculously, a falsetto shriek of comedy horror, and harvest the baleful looks that are cast in my direction. Every narrowed eye, each gritted tooth a scalp, a trophy on the sideboard of my petty shadenfreude. I'm famous, or infamous, for brawling on charter flights, getting boozed up and petulant, peevishly niggling at fellow passengers, laughing as we hit turbulence, giving the attendants a hard time, asking for yet more booze, tsking ostentatiously at the way people recline in their seats. I'm always good for half a page of tabloid jokiness.

As we come in to land, engines throttling back, I discharge gently I'm noticed, a turn of the emanatory head a goddess well known to me is sitting three rows in front. My wife Dionysia, beautiful and stylish household goddess, flame headed and heavy lidded, knows from this gesture of infinite tenderness that I intend to become her, at least until customs are cleared. We sit apart so as not to attract attention. We are twins, separated at birth, and re-conjoined in love, mutual dependence, respect and gnosis. Elephant gnosis . The energy flows are open (yeah!) re-birthing season is again upon us, the elephant tracks are re-emplaced and we are about to re-open London for numinous devotional action. The electricity reservoirs are dangerously full (again), all gurus, accountants, PR men, friendly politicos, personality broadcasters, agents and commissioners of TV documentaries (and parody documentaries, and reality shows and all cable blether shows, niche slots for insomniacs and the needy mad, the belligerent mad and the quietly desperate) are primed for action. Disqualified from appearing on any of my shows are the disenfranchised who, under common law, are "idiots" and "lunatics in their non-lucid intervals". The country, opened up to the clandestine presiding spirits, like all potentially numinous countries repeals freedom as and when it suits. A show of selective "democracy" is enough to get us fighting mad. We hate that. If the greasy politicians and psycho-secular power brokers knew we were landing, the shit would really hit the fan. So for now, I have to secrete myself. We'll clean up here, not from a coarse desire for attention, fame or money, but out of love. Love, hate and fecklessness. We are boozed up already. We'll spread out in London.

I wanted to marry Dionysia many years ago, but she was from a different caste, and was disadvantaged in my dreams by the furious opposition of her mother and especially her father from contemplating a re-birthing with me. But I overcame all opposition. I always overcome all opposition. I'm a can-do kind of guy. I operate out of rage, from under the floorboards. I nurture bitter obsessions and nurse vendettas in my bosom. People better watch out for me. I killed 'em all. Palace coup, gunfire ringing through the windy corridors, made to look like an accident. But anyway, as I say, Dionysia and I were joined in birth, joined like royalty at the head. The shared brainpan eventuating massive Gnostic capability, approached in intensity only by the larger mammals. Like elephants. Whales too, although cetaceans don't have their unlimited power. Unfortunate associations and alignments with navel gazers and earth huggers circumscribe cetacean power. They're too closely identified with bleeding soul types, tainted slightly by association. But we're self-selecting see? Our kind of exhibitionism is beyond the scope of satire. We appear as we are, self selected. The best surgeons were dismissed and we were subsequently enabled to separate ourselves. Tripartite separation oh, did I mention Frank? No? Well Frank's a bad man. He was involved somewhere. We killed him though. Oh, later on. Frank doesn't have a psychology. He doesn't behave as you might expect, doesn't conform to traditional narrative linearity. He was married to Dionysia before me. He was my brother, but like I say, I killed him. He became an academic, reason enough one might assume for fratricide.

Through customs, I blend in. Not willing to attract attention to myself, I am secreted in translucent carrier bags; I morph into more seductive forms. I become sexy, stylish, high heels clicking over the parquet. Giving out pheromone signals, I turn heads, distracting attention from the fact that I am toting a good deal of surplus electrical baggage. At this stage one of my clandestine familiars, a gentleman dressed in the American style, with long unkempt hair and with a cigarette dangling from his lower lip, approaches the customs officials and introduces himself. After an eternity of pretended efficiency and half-arsed officiousness, they are still staring bleakly at him. He then pleads for clemency on the grounds of his own stupidity, a plea that is rejected. Meanwhile I am able to sneak through with the minimum of fuss, the sniffers' attention distracted by the American who continues to loudly proclaim the innocence of the camera which he wears around his neck, which he claims is a dependent. My essential being meanwhile is hidden under a starkly effective mink, a cosseted fetish in furs. Frank is in a duty free bag and Dionysia is me again. The customs men are, as I say, too pre-occupied or dazed to realize that all other observers and potential troublemakers are in the throes of love. I am able, from the bag, to capture the desecrated hearts of all men and women in the vicinity with a capacity for beauty. They are suddenly aware (in some cases for the one and only time in their lives dimly recognizing that there is something they've forgotten to take care of, something intrinsic, something fundamental) of the over-riding need for love . These people immediately break down sudden emotional incontinence, hugging each other, spontaneously keening and moaning. Low level heartbreak, all the more poignant as it is of course merely a temporary window into their forsaken-ness, mischievously and maliciously opened by me, a window whose existence they'd always thereafter be aware of, but which they'd have no means of re-accessing. Heartbreaking all round. They sense for this one transcendental moment that their lives have up till now been lived according to un-likely and highly spurious rules. And because of my ersatz malevolence they will forever after be obliged to live with the memory of something they can never recapture. Like I said, I'm a can-do type of a guy. I have to hurt to make the connection. Ruthless honesty and soul searching, in the quest for personal attention, must be rigorously applied. I plan to re-awaken the urge to seek attention, to recapture the briefly enlightened moment of transcendence. Otherwise they'll never know. But this is only a foretaste. This is only the beginning. There's more to be done, electricity to disperse.

In a dream, they watch me pass through customs as though they've seen an angel. As indeed they have. I've always been a prick-tease like that. My beatific countenance always evinces a beatific spirituality co-mingled with deadpan whorishness, a devotional come-on, Hollywood inspired. So, this brief inner stirring, this all too transient tumescence of the soul is, for these tormented individuals, for whom the presence of angels is heartbreakingly only for this one moment among many a possibility, so sad. So sad. Oh well, things to do. Tracks to lay, agents to contact. I'm actually lying when I say that my actions are born out of malevolence. But I can't make an omelet without breaking eggs. I needed we needed, to clear customs intact.

So this is how Dionyisia and I skip customs. We show them the light, briefly enough for their hearts to be broken. Our custom is thus to slip un-noticed although fully re-birthed into country after country, onlookers in the reception lounges uneasily aware of an incipient divinity within their grasp. It's a responsibility we don't intend to evade. I've lived under the floorboards too long. Through a natural talent for outsider intransigence, I spin webs, spiritual matrices to catch the souls of those willing and able to see us our visions, to re-cog us as the angels we may well be. I'm traduced for this by apostate ex-gods, stethoscope toting functionaries, obsessive demiurges, surgeons of the base levels who stalk me and my dreams, who are in pursuit of me, who are switched off, who don't believe in this thing that we've become. Non-twinned and from the lower castes, they eke out a living carving out the tumours and lesions that mere flesh is prey to. They are hospital vampires drinks parties with the admin whores, civic unction displayed at all times, kickbacks from the drug companies, reliance on pure hospital grade morphine, holidays in the darkness of needless operations.

They say:

"I help people... people like you...."

To which their patients reply

"Meaning what?"

"Meaning... what you want it to mean..."

"You... you just leave... my wife... alone!"

"If you've got a problem with your conscience, it's gonna get a whole lot worse afterwards, believe me."

The above dialogue filtered through to me from a distant place. Some sort of waiting room. A place in which the vengeful pursuit by Ahab of my tripartite godhead had been ruthlessly fictionalized, for a purpose not of my own making, brought to life by second rate actors. My life had, in this tarnished version, become cheap (although expensively assembled) Sunday evening drama. It was an echo from a pre-birthed age, a psychological past, and a past in which people were able to believe in a narrative psychoanalysis of their motives. An age before psychology had not yet become entirely coffee table. An age of production values, devalued intent, faces upon which expressions can be read, no matter how artful the attempt to conceal motives. Faces lit ingeniously to capture the spiritual essence of this or that character. Like we ever believed in that. Maybe some did. Maybe. But I resolved to use it later on in my dealings with Frank, who would need some careful handling when it came out about me and Dionysia...

(other voices intervene here) There might be a way around this though. Let this drift, till management takeover. Finance? Overdraft. Also, don't minute this. Divisional stringency and a lifetime's drift. In Academe. I WILL be at future meetings. Wankbait has som.th. to say. Review progress -> instigation. Human remains/resources fr. Rebirthings. Scumcunt. We can't review this until we ourselves are reviewed. I am process/in review. Hellenic. Subjudice. Mythological format to confound psychologist linearity. Suggested alter-ego - Nobby Wyse – English and Foreign Livestock. Be more fruity. Tombstones of the failed re-birthed observed on back of pick-up trucks all over N.London, instigating enquiry. The permanently dead now taking up valuable space. Pachydermal hints already picked up by, er, "switched on" types in city slacks. Mobile phones are humming with incidental intent. Click, bzz, crkk…this is how we know. It's Walkman interference. Matrices are in confusion at this time. (Some say) tragic metaphysician, under the influence of half-baked occultism: lounge music (wink) cocktail music, dinner jazz intonations at odds with the badness of the intent. Me I'm the only boozer who's not intimidated by Frank, he don't scare me. That's what normal people do – whistle. I whistle right in his mug. He seems confused. Medusa Rappa the ex-witch has SHOT her newest lover but being her ex-husband I fully support her actions. I understand misconceived intent. This is now burnout. There is a residue of superfluous electricity. The newly enfranchised (locators of the soul in the SELF) have devised extreme hedonist templates for city living. Result: too much electricity. Rectify this as a matter of urgency...


...Speaking in tongues like some dippy fucking fairground fortuneteller, I come over like some recidivist psychopath on the revenge trail. The guys in peaked caps look askance. They're immune to this pheromone jazz. It happens, fellas, but I can see I need to explain to you how I reviewed this received information for future boardroom level emanations. I am a man of authority and command respect in the City, my solutions to multifarious spiritual problems generally praised if not entirely understood by the dipshit moneymen, the currency grinders and power brokers for whose soul needs I have undertaken a kind of responsibility. It's about electricity. Superfluous electricity is produced here by "irritation", a very modern phenomenon occasioned by close proximity to other power sources and over use of gadgetry. And by over-reliance on therapy fetishism, a synonym for extravagantly lived, hyper-solipsistic lifestyles. The have it all mentality. Only gods can have it all. Mere pre-birthed individuals produce, in the attempt to "have it all", a superfluity of electricity, which needs to be discharged somehow. I have the key. City bimbos routinely assume a countenance of objectively perceived glamour, behaving as though actions don't have consequences (and of course they don't -but they don't know that) and as though celebrity debauch is in and of itself transferable to their own quotidian realm. They behave as though there is no price to pay. The tab is never picked up. The bars are full of raged up X chromosomes, heedless of excess. They are no different in appearance to the fallen stars of their imaginations. They fall into and out of nightclubs; get blotto on tomorrow's mortgaged time.

Or again, for example, excess electricity is produced in extremis by macro-biotic types who've developed an "interest" in eastern religions, a misguided yearning after elongation of personalized Terran linear time span. The doomed quest is heart breaking. The quest for re-tumescence of the perceived Inner Core of Being, being itself putatively located in the inner core of the so called Showoff and Display part of the brain, the temporal lobe, located next to the hippocampus. This proximity produces in pre-re-birthed individuals a surfeit of electrical activity, of bad intent, intent which if not discharged in ritual peregrination of the old bus lanes ends up surging impotently around the city precincts. Hence the importance to all personalized spiritual efforts of this organ within an organ, this wheel within a wheel, previously (wrongly) assumed to be concerned exclusively with locomotive and direction finding abilities. Of course, all (so-called) primitive cultures invoke power over nature via repetitive and ritualistic perambulations, an evocation of divinity via the obsessive treading and re-treading of pre-determined routes. Rain invoked, or in this case dispersal of a surfeit of electricity, achieved by treading the elephant trails, mythic route-shapes which, when viewed from above (from a space ship or whatever) delineate a vast Picasso sketch, a domed trunked head; trunk and ears, dome viewed head on. This is of vital importance to all that follows. Everything follows from the nature and shape of the city's ex-bus lanes. You following me fellas?

The hippocampus is thought to be one of the most important brain structures involved in memory. The case of the patient Medusa Rappa, one of the most famous case studies in neuropsychology, strikingly demonstrates the importance of the hippocampus. In 1983, as a 27-year-old woman, MR underwent brain surgery to control severe epileptic seizures. The surgeons removed her medial temporal lobes, which included most of the hippocampus, the amygdala, and surrounding structures. Although the operation successfully controlled MR's seizures, it had an altogether unexpected and devastating side effect: MR was unable to form new long-term memories in a way that she could later retrieve them. That is, she could not remember anything that happened to her after the surgery. She could not remember meeting new people or new experiences for more than a few minutes. This resulted in her later shooting dead a former lover, who'd come round to try and effect a reconciliation. Still in possession of a latchkey, he'd insinuated himself one morning into her flat and then her bed in confident anticipation that his overtly romantic gesture would meet with her eager approbation. Instead he awoke in her a startled revulsion that found immediate expression in action of the most affirmative and precipitate nature. Amazed to find a man she didn't recognize in her sleeping quarters, and to make matters infinitely worse a man sporting a lascivious smirk, a smirk which he imagined was the precursor to renewed and impassioned relations, she expediently reached over to the bedside table, picked up her shooter and blew a hole in the centre of his forehead, rendering his own hippocampus, along with the rest of his brain, permanently ineffectual. His memory, both short and long term, underwent a sudden and irreversible turn for the worse. Notwithstanding this inconvenient episode, her memory of events prior to the surgery was mostly intact, and her reasoning and thinking skills remained strong if somewhat febrile. A further side effect, which was noted at the time but suppressed (for reasons we can't guess at) in the case history, involved a loss of spiritual intent and capability. Friends noted that she'd become indifferent to matters of the self, to the renewability of the soul and was turning up late, if at all, for Polarity Massages and Mythic Rejuvenescence sessions. Researchers concluded that the hippocampus and its surrounding structures in the medial temporal lobe play a critical role not only in the encoding of episodic memories, especially in binding elements of memories together to locate the memories in particular times and places, but also in spiritual capability and devotional direction finding (peregrinatory invocation of divine intervention)...

...Whole daze. Days. Forgotten to talk. Neighbourly watch, even at the moment of crisis I cultivate error correction. Collective error correction. I am aloof generally. Lazy bastard in other words the city's former bus lanes, now reserved for elephants, are vital as conduits for electricity dispersal. I want to live but there's too much other stuff. Stuff I created. I can't live in this pre-corrected state. I'm here in the waiting room, eyes half open. My sight's going, I see my reflection in you. Or me. I can't tell which. I am psychoanalyzed by Ahab, and I went AWOL. I slept in Finsbury Park. I wasn't there. I don't know why not...

...To get back to me: through customs, re-entry via the channels of no resistance. I do not resemble my passport photo and it's pure sleight of hand that I get through. I am Dionysia and she is me. I am in her duty frees, a perfume of incalculable seductiveness and overpowering pheromonal effect. We are each other, joined at the head and arse, at birth, and now split asunder. Otherwise like last time, it's air rage re-entry. Cause, by misbehaviour in and around the cockpit (ritualistic slagging of the pilot and his/her sexual orientations) a nosedive and potential disaster that is only averted by some pretty sharp thinking on the part of the airheadhosts and hostesses. I've been wrestled to the ground and subdued on more than one occasion, Dionysia observing me from a window seat with a quiet smirk of appreciation. It assures us safe passage through customs. But I don't want to use that too often. Good gags should be used sparingly.

So anyway, back in town, in the waiting room, the walls seem to press in on me. (Hi fellas! It's me. Buffy! I'm here again!) Single 60 watt bulb, attendant hosts and hostesses in night robes, masked and scrubbed, are seemingly intent on psychoanalysis. Can you believe that? In this post-psychological world, they cling to outmoded forms as jealously as would a visiting academic to the impression that he might still possess (as though he ever did) some form of sexual charisma. I am obliged to recount, under hypnosis, my impressions of the guiding principles of my, er, philosophy, for want of a more appropriate term. I glance mischievously at Dionysia, who turns up the volume on her walkman. The faint tss tss of escaped sound announces that she understands. She increases the volume and I notice, although the flight attendants don't appear to, that there is a faint blip in the electrical power supply to the building. She turns it up some more, and finally even the personal trainers/therapists in attendance on me (rather too closely for my full comfort I have to admit) are obliged to notice a significant diminution of the power supply. Their perturbation is a picture.

I am of course merely playing a role here. I've never been in a hospital in my life. I don't believe that there can ever be a reason to enter these establishments unless accompanied by a camera crew and with full SAR-B (suicide assisted re-birth) accreditation. I realize that in my very English assumed self-loathing I cut a very Bogardian figure, a sort of nervy academic type, with military bearing but suggesting a history including some deep personal trauma that might account for my, ahem, psychosis nurses falling in love in discreetly British fashion with my tortured countenance. I am just a poor boy, not a man, a boy in need of love and understanding, a manboy endowed with the face of a neurotic, a monkey-genius. English nurses go for that one big time. More than once, I've woken from general anesthetic proclaiming my love for some sweetly countenanced English rose and more than once I've observed that love reciprocated, if un-acted upon, these gorgeous creatures unwilling or unable to abuse their therapeutic position. I wouldn't mind a bit of abuse. I'll tell you that for nothing.

The head shrink Abrahams is pushed to and fro on a sort of metal trolley. He assumes the aspect of some sort of panjandrum of self-importance, issuing orders to his underlings, imperiously barking out directional commands like the captain of some circumscribed vessel that's destined for the rocks, his messianic expression clearly indicating the essential obsession with which he endows his every action. He's a man possessed. I fancy He imagines Himself as Ahab, and I am His Great White Whale. Not that he actually has any need to assume this dictatorial and frankly ridiculous, self-aggrandizing posture, his absurdly self important conveyance entirely at odds with the actual role he fulfils, which is merely that of facilitator of my dreamtime musings. Like all limited (non-twinned) professionals, he can't bear not to be the centre of attention. Very like Frank in fact. In fact, maybe he is Frank.

So anyway there I am lying there in Finsbury Park, watching the scored planes fly overhead, a whisper of breeze, the shadows of the nearby trees looming large and grey. I notice that the tune on my Walkman is increasingly compromised by a variety of electrical blips, squeaks and buzzes. Interference. The ether is loud enough in itself, so I wonder what's causing this. My listening pleasure is somewhat diminished, my ears full of electrical discord. I see quite suddenly, at the crown of the hill, a small herd of elephants, intermingling with the shadows. The electricity seems to ebb and flow as they move into and out of my immediate vicinity. A group of mobile-toting life-stylers saunters past and the electricity seems to swell. The ckk,bzz,tss,crkkk intensifies and then recedes. But still there's a residual pool, a reservoir of understated voltage disturbing the general ambience. And then it happens. Something happens to alarm the elephants. They are distracted by some commotion at the other end of the park. There is a trumpeting, a honking, they relinquish the sanctuary of the trees and the crown of the hill up by the running track and the lake and stampede down towards the Seven Sisters' Rd. And as they go, I realize that suddenly the air has been cleansed of previously stagnant electricity. They have somehow contrived, by their sudden removal, to decontaminate the surroundings of stale electricity. The air has been purified, somehow distilled. The tune on the Walkman is now crystal clear, the ambience somehow divinely regenerated. To say that this discovery is a watershed in my pre-birthed existence would be an understatement. Literally an understatement. Everything follows...

As a result of this epiphany the city's abused bus lanes have become, by my divine Gnostic agency (soul regeneration), elephant trails. They tread the well-scored vectors, all around the city, dispersing electricity by ritual peregrination. This divine act occasions in the tuned in citizenry a kind of spiritual calm lays the tracks for intense post-psychological soul searching, or Elephant Gnosis as I've termed it. Via this patented and affordable technique, citizens are afforded previously hidden opportunities for spiritual Rejuvenescence and suicide-assisted rebirth. It's no secret. I'm a big noise in the city and in the channels of mediated power. I assume multitudes of personae, electricity flees my agents, and I re-birth at will. I enter and re-enter. I have discovered previously hidden secrets, the divine and arcane secrets. I fictionalize and re-fictionalize, adumbrating the outlines of Gnostic self-therapy. Multitudes of additional personae are re-birthed, multifarious aspects of the self, all interchangeable and clamouring for attention. The self is (needless to say) the most precious commodity, the currency of ubiquity in this meta-therapeutic age, and I have hi-jacked all available outlets. I hold the leases on all franchised outlets. Elephant Gnosis has been patented. I precipitate as many elephant-gnostic emanations as I choose. I am plurality, in a newly minted pleroma of inconsequence. Hot shit!-30-

(5/13/08)



THE CHALLENGE

by John Tottenham


(excerpted from THE INERTIA VARIATIONS)

THE CHALLENGE

If I am not doing the work
That for some obscurely grasped reason
I believe it is my duty to perform,
Then I cannot, in its place,
Allow myself to do anything else
That is pleasurable or productive.
The main challenge, ultimately,
Is not to fall asleep during the afternoon.
-30-

(5/9/08)



W.B./NEIGHBOURHOOD OF INFINITY

by Brad Zukovic


(excerpted from DR. BUCK'S LETTERS)

From a counter seat at Gower Denny's, I watched Jack Ternan emerge from an oily blur of superheated air.

The heat was really shattering of the boulevard now, and Ternan's bowed legs were massive in the glassy distortion, his shaved head craning high above traffic. From thirty feet, I made out a brow with a mouth-slash-pissed-off '40s freak somehow still walking around. An unemployed actor was with him: a Viet Nam vet who'd ordered a coffee at Denny's and saw the same cup staring at him twenty years later.

Next to me, McCaw had the maps out, and not the usual USGS topos of the Mojave desert either. These were military topos of places where they lit cobalt shots. He had Plutonium Pass circled in blue felt pen -- that's west of the Skulls where you find the Epson Salt Works if you feel like pushing the rental up a twenty-mile wash through sand traps. There were maps of China Lake and the Nevada Test Site... dry lakes where the dust devils follow you... uranium dumps... and the unobtanium of a cheerleader's hips moving timelessly in time, mortar in the pestle of her gold country.

Jack Ternan barged into Denny's and a couple of sleepers at the counter lurched up to greet him. He looked like a thing out of fllm noir, which he was -- a heavy who had pissed away a run of Warner's gangster flicks when he started caving in the jaws of his co-stars. Jack's comeback began when his Billy clubbed mug appeared in "Hollywood Sodom," a hipster coffee table book. That mug shot caught the attention of the young director Carlton Spigarelli, who hired Jack as the gangster chief in the first of his neo-noir hipster blood baths -- the ones with the spaghetti western sound tracks. On screen, Jack played flat and real, and at age seventy-eight he was back in the chips. Unfortunately, Jack had gotten into it with Spigarelli, sending his teeth through his septum. Jack was blackballed again, bunkered in a day hotel near Hollywood and Vine, watching tourists through a tinted window and masturbating.

"We makin' a run?"

"We are making a run, Jack," said McCaw.

We drank fresh drip coffee and it was the first morning of the world. McCaw was two months from a shallow grave in Trona -- explaining how the military copped an algebra of Banach spaces to send a drone down a chimney. Jack was doing a Walter Brennan shtick for the waitress and plowing down French Toast. At that moment I felt the cold breath of the future, but just as surely, the scene froze in a defensive reflex -- entering the permanent record. I looked at the collar bone of the waitress, thinking, "There is a Moment that crosses all moments, even as they flow."

I must have said it out loud because McCaw answered, "The Dedekind infinite -- William Blake was onto it and that's what they're modeling with quandles in 3-space -- running analog drones of of knots. That's what we want to see."

"I don't give a fuck about drones," Jack said, stabbing a finger at the map. "I want to find some gold."

At that moment, Duce walked in, two months from being killed by a train in the yards east of downtown. Duce was a homeless, late 70's punk -- flush with cash, having just appeared in a hipster documentary wherein he fingered a former Clown Room stripper in the death of Kurt Cobain. Jack got up and embraced him. They had gotten tight playing Donkey Kong at the Cahuenga 7-11.

"Now," said McCaw, spreading maps. "We are going to need water for this trip -- lots of it." -30-

(5/1/08)



TEUTONIC DOLPHINS SWIM AS THE DMV BURNS
4/24/08
from-Cole Coonce

(excerpted from Sex & Travel & Vestiges of Metallic Fragments)

My driver's license expired on my birthday and I never knew it. LAX's Homeland Security caught the lapse last month as I attempted to board a plane to Kennedy. I was lucky to be allowed onboard.

A month later and it is Indian Summer and any suburban adjunct to Los Angeles with a smattering of foliage is on fire. Meanwhile it is a soul-sucking afternoon at the DMV on Rosemead Boulevard. The parking lot is over run with shaved headed hoodlums in hopped-up Hyundais jousting for fleeting parking space with housewives in Honda CRVs. In the glaring sun I pulled over on the street while the others played bumper cars in the motor vehicle parking lot. And to think, this is where the driving tests starts. Fair enough: if you can make it out of that asphalt atom smasher alive, you deserve to drive. That should be the whole exam -- make it out of the parking lot without getting killed and the city is your motoriffic oyster.

Inside the DMV, there is even less personal space and the only thing that would make it more tedious would be to show up with a hangover.

The lines to get a license are tangles of confusion and entropy. Even with an appointment, the passing of time is five gears in reverse. After visiting three windows, I was told to take a number and go sit in the blue section. I was in a blue chair, next to the blue hairs -- old ladies whose medications were a few molecules off -- and I tried to ignore their rants and harangues about stolen debit cards and purloined passwords delivered in a stutterinc clip and pointed at the gunfire-proof glass.

This is America as the New Second World, I thought, as marble-mouthed public address announcements about assigned numbers going to assigned windows gurgle through blown speakers. It was completely unintelligible and each announcement was merely an alarm to look at blasted-out teevee screens, whose parallelogram framed a matrix of a sort of bingo game, with numbers correlating to the next available window... If you ignored the garbled salvo of sound, you ran the risk of not looking at the video monitor and thereby missing your number and starting the whole procedure over again. The cacophony was accompanied by Japanese girls talking into phones and asking what their friends were wearing at the new Brad Pitt movie. It was post-modern, post-war Poland.

Back on the street, the sky was mercury and the silver Chrysler was baking, and it didn't cool down until I pulled off the freeway and parked under the shade of some nascent oak trees at the Rose Bowl Aquatic Center.

By then, the sun was on its downward arc, the hydrogen lumens lighting the soot and particles that had collected from the surrounding fires. I swam and swam, and closed my eyes as I did the backstroke. I was in shadows and then I was in sunlight and back again.

The pools were half-empty, but a smaller one had a swim class for rugrats. Toothsome Pasadena milfs monitored their munchkins and provided sensual visual respites as I would pull up to the lip of the pool and catch my breath.

My workout was done when I saw her exit the women's showers and saunter towards the water: blonde, stout, and sculpted with an hourglass body, her amber skin offset by a bicep tattoo of a pattern that resembled the concertina wire from a concentration camp. She wore a red one-piece that fit like latex. She rolled her tresses into a rubber cap and draped a pair of cobalt blue goggles over her limpid eyes.

I rested my back against the pool's edge as she swam. I tried not to stare. Her form was flawless. Perfunctory, but as graceful as a dolphin, if not a leopard. I tried not to be obvious about my admiration for her strokes, but I would watch her porpoise through the water and out of the shadows and the sunlight would hit her face as she swiveled for air and it was a wet, expressionist painting.

She climbed out of the pool, the water dripping off of her carnal can. Her exit was as smooth as her swimming, as she had deftly unraveled her blonde locks with one leg still in the water...

I left when she did. I sat in the car with wet shorts, and thought of beauty and propagation. I keyed the ignition and the radio reported more ocean and desert winds fanning ubiquitous flames.-30-

(4/24/08)



SWEETNESS

by-John Tottenham

(excerpted from Tuesdays Are Always Dark Days)

'I used to walk the streets of strange cities, I used to think about you.'

It had been a long day. I had driven five hundred miles. I decided to spend the night in Cincinnati. The city held a strange allure. It was one of those cities whose rough exterior harbored a certain benignity. And this was a quality I hadn't encountered anywhere else I had stopped along the way. And the further I drove the more I realized that I didn't want to stop anywhere else, that I was intent on winding up in Cincinnati. Something might happen to redeem a trip that hadn't been as adventurous as it might have been. The following afternoon I could drive up to the Dayton airport.

For a week I had been on a supposedly remedial tour of the rust belt, wandering around depressed industrial towns and wasting time at obscure racetracks. My intention at the beginning of the trip had been to drift aimlessly but I failed to surrender to the first minor meltdown. In the midst of it, from a motel room in Columbus, I called a friend in upstate New York who urged me to visit. Consequently, knowing that sanctuary awaited me, I didn't immerse myself in other places as much as I should have. I realized that I was thwarting my intentions and experienced regret in real time, constantly rueing the latest version of what might have been.

I arrived at 10.30 and headed for the Travel Lodge in Newport Kentucky, on the other side of the Ohio river. The bald and paunchy night clerk checked me in. He asked if I was in town on business. I mumbled affirmatively. I gave him sixty dollars and he gave me the keys to room # 217. It contained two double beds. The double curtains excluded that annoying morning sunlight. Upon entering I yanked the cord of the loudly humming refrigerator from the wall socket, lay down on the bed and masturbated languidly, letting all the anxieties of a long day on the road ooze out. Then I showered, shaved and changed into some fresh attire.

I drove across the bridge into dead downtown Cincinnati , along Broadway, left on sixth and right on Main. Some semblance of street life became apparent as I proceeded into the Over The Rhine district, a crowded neighborhood of decaying architectural splendor bordering downtown. Attempts to revitalize this designated historic district had been interrupted three and a half years earlier by some ugly race riots.

I drove north up hillsides straggling with faded gracious dwellings and into the quaint old north side, up Hamilton, to the Comet bar, a place where young people congregated late at night. The seats at the counter were all taken. I occupied a table and accidentally eavesdropped on a mean-spirited conversation between two sorority girls which afforded some insight into the mind of a rapist. It was a miserable way to cap a long journey. I left after one beer. I stopped off at an all-night convenience store. As I walked in a shoplifter ran out with goods concealed beneath his coat. One of the clerks ran after him. I browsed tabloids for about ten minutes, bought a Snickers bar and left.

I got back into the car and drove downVine, a steep hill that became grimier and more perceptibly vice-ridden as it unwound into Over The Rhine. At the corner of Fourteenth I stopped at a red light. This was the eaten- out heart of that blighted neighborhood. Veiled transactions took place in dilapidated doorways and on empty lots. Standing on the corner, to my right, was a woman who would have grabbed my attention anywhere. She was looking straight at me. I wondered what a beautiful white woman was doing in that neighborhood at one o'clock in the morning.

As I turned away it finally dawned on me that she was a prostitute. I looked over again. She was smiling and nodding her head in an inviting manner. Time slowed down. Her eyes sparkled. I recognized that if I didn't yield to this moment I would bitterly regret it later. The light turned green. I leaned over and flipped the lock to the passenger door.

She climbed in. 'Hi honey.' Any concerns that she might have been a transvestite were instantly dispelled. I could scarcely believe my eyes...my nerve...my luck.

She was slender but potentially voluptuous.

Her dark hair was piled up. She wore a colorful horizontally striped blouse and faded blue jeans. The blouse was cut low exposing part of a tattoo above her right breast. Around her neck hung a large cross.

Face powder covered the rough parts of her complexion. She exuded warmth and vitality. These qualities were immediately apparent. I was stunned into a state of silence. I stared into her eyes. She wanted to know what I was looking at.

She seemed to expect me to open the negotiating. I asked her how much she wanted.

'Seventy five bucks,' she said without conviction. She expected me to talk her down. But I wasn't feeling too talkative. I said seventy-five would be fine. It was unsettling to consider how much less she might have settled for.

'What are you into,' she asked.

'My tastes are very simple,' I said.

She said she had a place we could go to. I suggested we head back to my motel room. That was fine with her. We were already headed that way, though with her beside me I was plunged into such a state of distraction that I lost all sense of where I was. She didn't have much of a clue either.

I told her I didn't have any prophylactics.

'We should get some,' she said in a rusty whine, which sounded both tired and alert, jaded and innocent.

Five minutes ago I had been driving back to the motel in a disenchanted mood, a moment later there was a beautiful woman sitting beside me. I didn't tell her that I had never been with a hooker before but I did confess that I was nervous. Such were my efforts to suppress rattling nerves that, on the evidence of the shaky stunted utterances I did come up with I was afraid she might think me a dangerously repressed deviant. But she didnt't appear to make anything of it.

Her name was Sylvia. She hailed from Lexington Kentucky. She was twenty-four.

'That's right,' she said, 'a single mom.'

She used to work at an escort agency in Lexington. I asked what kind of clients she dealt with there.

'Horse people,' she said.

'Centaurs?'

'What?'

'Any jockeys?'

'Pat Day,' she said.

'I thought he disdained the pleasures of the flesh.'

'One of his daughters goes to the same day care center as my daughter and she doesn't know he's her father.'

Suddenly we were thrust together in the night. There was a conspiratorial aspect and an element of trust was involved. An arrangement had been made. She complained of hunger. Once over the bridge the lights of a White Castle stand could be seen shining a few blocks away. After driving the wrong way down several one way streets we made it into the drive-through lane. She tried to order a Number One meal but the employee on the other end of the intercom couldn't decipher our requests. We had to drive up to the window where the order was taken in person by an ashen-faced old woman.

'So what do you do,' said Sylvia.

I avoided that question.

'What's your profession?'.

Thankfully we were interrupted by the server's muddled instructions.

'Shit, I'm wore out now, ' said Sylvia at the end of a complicated exchange during which the word 'coke' had to be repeated four times.

While we were waiting for the order I stared at her.

'Hello,' she said, apprehending my gaze and smiling sweetly.

'You have a great smile,' I said.

'Thank-you,' she said, 'it helps.'

She started singing as she delved into the bag.

'Best White Castle I've ever eaten,' she said after a couple of bites. 'It's wonderful right now...I probably won't think that tomorrow.'

We drove off.

'Prophylactics,' she sang out, 'now where the fuck is the store?'

There was a drive-through liquor store a few blocks away, Big Daddy's.

'You've got it babe.'

'Uh-oh, another one way street,' I said, backing out.

'That didn't stop us before,' she said.

I erupted in tension-releasing laughter.

'Can I get a little half-pint?' she said.

'What?'

'I don't know... something dark... not clear.'

Whisky?'

'Yes...Kessler...how come there's no liquor stores in Cincinnati?'

'There weren't any where you were standing around?'

'No'

'What do you want, a half of Kessler?'

'Yes, just a half-pint. Just get something that's cheap.'

She was requesting the smallest bottle of rotgut, when I would gladly have sprung for a bottle of the finest. Why should someone of such singular charm and beauty have to scuffle and suffer when so many led graceless complacent existences? It was already beginning to distress me

'Do liquor stores stay open this late...in Lexington at 12.01 it's over.'

'Lexington seems kind of repressed,' I remarked. 'There isn't much going on there.'

She groaned in assent: 'nothing...absolutely nothing.'

I ordered a half-pint of Kessler's and a pack of condoms.

We drove away. 'Alrighty,' she said, 'let's do it.'

'Thank-you very much,' she said after a few more bites. She said thank-you a lot.

'You're most welcome,' I said.

'Is Travel Lodge pretty nice?'

'Not particularly.'

The motel was a few blocks away. I took care to enter through a side door, avoiding the night clerk. I opened doors for her. She inspired me to behave like a gentleman. I had seldom known graciousness to flow out of me with such ease.

As soon as we entered the room she wanted to get the distasteful matter of payment out of the way so that we could relax and enjoy ourselves. Money changed hands. I had the exact sum of $75.00 in my wallet.

'You've cleaned me out,' I said. I lay down on the bed.

'Aren't you going to take your shoes off,' she said.

I turned on the television. Some election coverage was screening.

She couldn't be bothered to vote, she was fed up with the government. She lay down beside me and I reached out to touch her prematurely sagging breasts.

'How often are you with a woman who'll let you do anything you like to her,' she said.

'Actually,' I said, 'quite often.'

She stood at the end of the bed and encouraged me to breathe deeply. She made the appropriate gestures with her arms... breathe in, breathe out...and excused herself to brush the White Castle taste from her teeth.

As she emerged from the bathroom she was singing. 'An old R&B song...by Shirley Murdoch.' I had never heard of it.

'Shall I get undressed?'

I told her not to, that it was not a negative comment on her body, just a quirk of mine.

She wanted to take a shower. She said it would 'make it nicer.' She suggested that while she was gone I should 'create a mood.'

She said these things with a mixture of kindness and mockery. She wasn't as bored and business-like about it all as she understandably might have been. I formed the impression that this line of work was something she only resorted to when times were hard.

I lay on the bed, trying to compose myself. I could hear her singing in the shower and it gladdened me that she could relax in my presence even if I couldn't do the same thing.

She emerged with her hair down and a towel around her. I told her to put her clothes back on. In her hands she held her panties. I told her not to put them back on. She seemed to find my request unusual and confusing.

'Okay,' she said, 'not the panties.'

She put her pants and her blouse back on.

She lay down beside me.

'I probably won't be able to get it up,' I said, unzipping my trousers and pulling out my prick.

She began lazily sucking on it and I relaxed at once. Then she picked up the tempo and started making a lot of unnecessary noise.

'Do it slowly,' I said, 'soothe me.'

I formed the impression that my prick couldn't be of less interest to her, that she was probably mentally reliving some pleasant event from her past that had nothing to do with sex. But at least she was making the effort. That, in its way, was affecting and deserving of reciprocation. To my surprise, I found myself with something resembling an erection. Enough of one that she was able to slip a rubber over it.

'I'll do you from behind,' I said.

She bent over the edge of the bed and pulled down her jeans, exposing a skinny white ass. I positioned my knob at the portal and, with her help, stuffed it in. I got a few good thrusts in before her exaggerated moaning deadeneded any incipient ardor. It felt as if I were thrusting at nothing. Her absence was almost palpable. Her body felt weightless, as if the substance had fled elsewhere. I told her not to bother faking it.

'I'm not,' she said unconvincingly, 'it's erotic.'

'How many other men have you been with tonight?' I asked, giving it another weak thrust.

'One other guy...a chiropractor...in his fifties... fifty dollars...straight sex.' Her hair fanned out wildly across the synthetic bedspread.

'When was the last time you had an orgasm?' I wondered out aloud.

' A month ago,' she said, 'just because you have sex doesn't mean you come.'

'I know,' I said, wilting in earnest.

She reached down and offered some halfhearted encouragement. I requested that she lay down flat on her belly. But in the process of pushing her across the bed with my sagging member still inserted I lost it to a degree that rendered any further squirming futile. We collapsed into laughter. I removed the condom from my limp knob, stretched it several feet and flung it across the room.

'I doubt I'll come,' I said.

'You said you wouldn't be able to get it up,' she said, suggesting that maybe I'd already achieved enough for one night.

Though I knew it wouldn't make any difference I asked her to suck on it some more, which she proceeded to do listlessly and to no avail.

'Tell me a nasty story,' I said.

From between my legs she described a recent three-way. It didn't have the required effect. She gave voice to some gently scornful impatience.

'What are you used to?'

'It usually takes them about five minutes,' she said.

I was pleased that she felt comfortable enough around me to exhibit the full range of her apathy. I asked about the proclivities of other men. 'You'd be amazed by how many men are into being dominated,' she said, 'then there are the other kind, the ones who like to dominate...I don't like that.'

She continued to toy with my flaccid knob, although both of us had given up on restoring life to it. I was quite at ease now and didn't want our time together to come to an end. I was secretly hoping that she would spend the night.

'I don't care if I don't come,' I said.

She got up.

'I'll bet that's the easiest seventy-five dollars you ever made,' I said.

She agreed that it probably had been. 'It's been a pleasure, she said, 'it really has.'

I walked across to where she was standing, on the other side of the other bed, and tried to kiss her. She opened her mouth, tendered a little tongue, withdrew it quickly, kissed me politely on the lips and turned away. The act of kissing seemed unsavory to her.

She claimed that she had to be somewhere at two-thirty. That was in about twenty minutes. She had an appointment to watch another girl being fucked by a man who was so fastidious that he wore condoms on his fingers. She couldn't find her cigarette lighter and became more distracted about it than a missing 25 cent lighter seemed to warrant.

After combing the room for about a minute she gave up the search. I was glad that it couldn't be found. It would make a good souvenir. As we walked out I peered into the bathroom. My pomade jar was open.

'Did you use my pomade? I asked her.

'Yes,' she answered with guilty sweetness, 'just a little bit.'

It delighted me that she had used it: another souvenir.

As we walked down the corridor she defiantly waved her half-pint of whisky at the ceiling surveillance camera.

We got into the car and drove off.

I remembered my camera. I asked if she would mind if I took her photograph. She didn't mind at all. I wanted to get a shot of her standing, as she was when I first laid eyes on her. I stopped the car and we got out. She stood in front of a wall on a quiet street. I was about to take a photograph when a police car cruised up behind us. 'Don't worry about them,' she said. They drove by slowly. Once again she flashed that winsome smile. I managed to snap two photographs. 'Are you going to show them to your friends back home,' she kidded me: 'this is the whore I fucked in Cincinnati.'

'D'you live downtown?'

'Right down there close by where you saw me.'

We drove along fourth street to Covington and from there across the bridge into downtown Cincinnati. I told her where I had come from that day, that I had driven from Buffalo to Cincinnati, from the northeast to southwest corners of Ohio.

'Ohio's a big state,' she said, 'there's really no way around Ohio. You have to go through it. You came a long way, baby.'

'Yeah.'

'What's New York like?' she said, 'I'm curious.'

'Well,' I said, 'the city is a place unto itself.'

'That's what I hear,' she said, 'what are the people like, are they fucking assholes?'

'Yes,' I said, 'but there are many kinds of them and it's very expensive.'

'Yeah, I heard it's fucking outrageous...I heard it's outrageous.'

'I wasn't there this time around, I was in Buffalo.'

'What was that like?'

'It wasn't as gritty as I expected.'

'Yeah, I heard it was pretty classy.'

I remarked upon the ethnic diversity of New York City.

'Cincinnati's got a little of everything,' she said.

'It's all black and white,' I said.

'Yeah, that's true...that's true...that's very true...it's either black or its white.' She pondered this. It seemed to contain fresh significance for her: 'That's very true...it's either this or that. It's either shit or crap. There's not too many imbetweens.'

She told me that she had worked as a telemarketer for a while. The week she brought home a thousand dollars she thought she had it made.

'I injected a little sex appeal into my pitch,' she said.

'Did you meet anyone?'

'One guy, a producer...of hard-core movies,' she added ruefully.

She complained about the company she was forced into on the street and lamented the toothlessness of other whores.

While waiting at a stoplight I took another photograph of her. Once again she switched on her winning camera smile.

A police car loomed in the rear view mirror. 'How long have you two known each other?' she said, imitating their likely overtures. She was in a hurry to make her appointment and expressed impatience with traffic, yelling at a lingering vehicle to make haste. We found Vine street. Clusters of dubious sidewalk activity were still in evidence at this late hour. Yet another police car drove behind us.

I pulled over on the corner of Fourteenth and Vine. Sylvia stuck the half-pint into the top of her pants and got out of the car.

'Thanks babe...have a good evening, baby.'

That was it. The lack of ceremony was somewhat disheartening.

Alone again.

I drove back to the hotel in a state of rapt wonderment and went to bed, pressing my face in to the pillow where she lay.

I checked out of the motel late the next morning. I drove up to Eden Park, a sprawling tapestry of green situated on one of the city's supposed seven hills. On one ridge resided the art museum. Below it lay Mirror Lake, a circular pool surrounded by a walkway fanning out onto a lawn which culminated in a shorn rock side reminiscent of Roman ruins. It dropped onto another verdant ridge and afforded a pleasing view of far-flung rooftops and red brick below. I walked around it four times. There weren't many other people around. I was tired but suspended in the lingering glow from the night before. The experience had brought me into contact with life, opened me up. It was precisely the kind of albeit one-sided connection that I craved. It happened, of course, when I was least expecting it, when I had given up. It was something I had waited about fifteen years for.

Throughout my travels I had always desired one thing above all others: to enjoy a sweet fleeting encounter with a beautiful stranger in a strange town. Many times I came close but not quite close enough. Variations on the theme occurred but the ideal continually eluded me. Until finally I consummated it... with a whore.

I had never sought out a whore or romanticized the condition of one. Once or twice I had admired one on the street but I never considered doing anything about it. Much of the pleasure in a mutually gratifying sexual act lay in its not being an act, in knowing that the other party's excitement was sincere, and that one was responsible for it. With a whore such arousal would be feigned and I had no wish to suspend disbelief in such a situation. One could do exactly what one wanted with a whore, but if they didn't enjoy it there didn't seem to be much point. Fakery, no matter how sublime, wouldn't work. I had nothing against it on principle, I was merely constitutionally opposed to it. I imagined that it was something I might be obliged to resort to as an older man. Then an unsettling thought crossed my mind: maybe I'd already reached that point.

I stared at a tree. It was yellow and its leaves were beginning to fall. I realized that this was the stage I was at in my life. Whatever blossomed in the autumn of its years?

Not much, but presumably, if one had never blossomed at all, a certain moldering efflorescence might be possible, even at this belated stage.

A familiar melancholy was seeping in, one that often rose up in the wake of memorable chance encounters. A fresh potency and poignancy altered my surroundings. I recognized once again that it was only when traveling, plunging into and rising out of these states of transient alienation and transcendence, that I experienced with clarity the true beauty of life.

I drove back downtown. I was hoping that I might find her on the street and take her out to lunch. I could imagine nothing more pleasant than sitting across a table from her and making polite conversation, treating her with tenderness and respect. It wasn't normal for me to feel this way towards a woman. It was highly irregular. But I had always been attracted to girls who put on an appearance of being much tougher than they really were, and she, in a way, was the ultimate manifestation of this type.

I walked around Over The Rhine. There weren't many whites around. Most of those who were appeared destitute, as did most of the blacks. She wasn't anywhere to be seen on Vine or the surrounding streets. Some other whores milled around the vacant lots. I wasn't interested in any of them. If a thousand whores were picked at random from the streets of a thousand cities and she had been among them, she would have been the one I picked. There was no doubt about it.

She was probably sleeping. Or she could be back in Lexington, picking her daughter up from the day-care center. Did she divide her time between the two cities? Who looked after the kid when she was in Cincinnati?

What did I know about her routine? I was beginning to ask myself a lot of stupid questions. I knew almost nothing, only what she told me, and I tended to believe she told the truth.

Doubtless she had forgotten me by now. There was no reason to think she wouldn't have. I was just passing through, with a hunger for experiences that she regarded as ordinary. I hadn't given much of myself.

I was too burdened by a sapping (self) consciousness concerning the fragility of our relations: of how much it meant to me and how little it meant to her. I would always remember her. But soon I would return to my usual lazy routine on the other side of the country. I couldn't touch her life as she had touched mine. And it would all inevitably recede into dull memory.

I lunched in a booth at Kaldi's. This establishment contained two long rooms. One served as a bar, the other as a coffee-house. Each side was stacked wall-to-wall and floor-to-ceiling with overflowing book shelves, crammed with dusty and unwanted old tomes. A blonde woman was sitting at the bar. She looked nervous and distracted, with a doomed look in her eyes. Something in my peripheral vision flared up. While she was lighting a cigarette her hair had caught fire. She put it out as if nothing had happened.

I got back in the car and drove nowhere in particular. Then I drove back down Vine. One and a half hours remained before I had to leave town. She might be back on the streets by now. I could still take her out for a drink. I could give her my phone number or get hers, if she had one. If it hadn't been for that patrol car I might have had the presence of mind to take care of such matters before we parted. And due to the lurking Newport cops the photographs on the street had been taken carelessly. It was a good thing they had been taken at all.

I couldn't picture her clearly anymore. All that remained was a beguiling blur. An insinuating essence in danger of becoming overidealized. This usually happened when I dwelt continually on an unfamiliar woman. Many faces had been lost forever in the void of fixation. The features would resurface, only becoming clear again when the memory faded. A photograph, however, would eliminate such concerns.

I continued my search on foot. It was becoming apparent that no real hope of finding her existed. In the air and in my bones it was palpable. I crossed Vine at Central Parkway, the wide artery separating Over The Rhine from downtown. In the light of my imminent departure the city became elegiacally serene. Workers poured out of office buildings into the soft autumn evening. Everybody appeared helpless, blameless and incorruptible. But she wasn't anywhere to be found and it was beginning to appear unlikely that I would ever see her again.

I returned to Kaldi's. This time I sat at the bar. A motley assortment of solitaries were gathered there. I sat by the window, keeping an eye on the street.

'I met Syd Barrett somewhere east of Cincinnati,' said a young fellow on the other side of the bar. Nobody picked up this thread of conversation. The girl who had accidentally set fire to her hair passed by on the sidewalk. I drove down Vine one last time with the malt glow washing over me.

The moment I first laid eyes on Sylvia had been incomparably vital and significant. It could never be repeated. She was beyond me now, had always been beyond me. Sheer chance had allowed the privilege of this one magical encounter. The corner of Fourteenth and Vine was enshrined. But she wasn't there now. Her spot was occupied by some obese hag in an anorak.. And I was running late. My plane back to California left Dayton in two hours. Dayton was an hour's drive up highway 75, and it was rush hour.

I barely made it to the airport in time, a bedraggled spun-out wreck, emptying out my suitcase in the departure lounge, worrying without reason that I'd left the camera in the rental car. I boarded the plane exhausted but unable to sleep, pressed against a window, staring down at the cities of the west, glittering like the dying embers of forest fires, while continually replaying and reflecting upon the events of the night before.

In trying to recapture that first moment it entered my mind that she might not have been alone on the sidewalk. She might have been talking to a youth... some sort of exchange had taken place... she had waved him away when she realized a motorist...a prospective client...a john... was checking her out. Something of this nature had taken place but my mind wouldn't fasten on it. I hadn't been paying strict attention at the time. Did I notice her standing around there before stopping at the red light? And how long did I spend at that red light? Between that first moment and my unlocking the passenger door ( at the time it didn't occur to me that this could have been done automatically, without reaching over ) seemed to take much longer than is normally spent at a red light. And what if that light hadn't been red ( ... if I hadn't waylaid myself browsing tabloids in a convenience store ...if I hadn't jacked off in the motel room before going out...if I hadn't taken a nap in that truck stop parking lot...if I hadn't got lost trying to get out of Youngstown)... I would presumably still have noticed her... but she wouldn't have given me those beckoning glances...I might have driven around the block... and by the time I returned she might have been gone.

I remembered the last lucid thought I'd had before the sudden jolt of seeing her, and it had been this: whatever made me think I'd find what I was looking for in a bar...I'm more likely to find it on the street. I had no idea how prescient it would be.

In the reflection of its crowning event what at the time had been a long and tedious drive assumed a lustrous sheen. I remembered the clouds drifting over Erie. The sad eyes of the tough ex-steelworker panhandlers. The air of irreversible decline that permeated that heartbroken town. At the city limits a sign read 'Thank You For Visiting - Please Come Back.' There was something almost unbearably plaintive about that appeal. I resolved to return. I drove on to Youngstown, a once-thriving steel town plunged into hopeless and ominous stagnation. I had hoped to eat lunch there but not a single restaurant was open downtown. The stores were all closed and there was little sign of activity of any kind. I drove on, sinking and spiralling. I had planned on spending a few hours walking around Akron as the sun went down. I arrived earlier than expected and found, once again, that I had overidealized a place in advance. A bright sterility encumbered the city. I sat in a bare bar. The old lady on the other side of the counter bestowed a candy upon each customer when they ordered a drink. Everybody in the place was toothless, even the young people. I walked for an hour or more in the hope of getting lost but there was nothing to lose myself in, nothing in the air. I stood on a bridge and gazed down at the water trickling along a concrete riverbed, idly contemplating suicide. Upon the approach of a stranger I moved along guiltily. I left before the sun went down and drove straight into Cincinnati, regaining energy as that destination neared.

I considered making an honest woman out of her. A ridiculous notion, of course. Besides, she was probably a lesbian. I had read somewhere that most prostitutes were lesbians or addicts. About the latter I hadn't thought to ask at the time. It wasn't unlikely. She had been almost irrationally perturbed about the missing lighter. Why did she need it so badly? If the work didn't support the habit then the habit would probably be necessary to anaesthetize the work. But she didn't seem ravaged or hardened...yet. She had her whole life ahead of her. As much of it as remained. A pretty face with a bleak future. It was a shame that she had reduced herself to this precarious way of life. Naturally, I wanted to save her from it. It was the oldest story in the book. Whore stories were a dime a dozen. There was nothing original about becoming infatuated with a fallen woman. I rued the descent into exhausted cliche but what could I do about it? Surely a young man - even a middle-aged man - might be excused for getting sentimental over his first experience with a prostitute.

I liked to think that I might have provided some relief from the deprived bodies and slobbering old men that constituted her clientele. She had said that it had been a pleasure, the easiest money she'd ever made ( little did she know how I would cling to these perhaps insincere words ). But perhaps she didn't view me as being markedly different from the rest. Perhaps she didn't think about it much at all. It was just something to be endured as painlessly as possible. And what of the chiropractor: might the recentness of that coupling have explained her need to shower? Or was that just another way of killing time before she was obliged to put out? There were many unanswered questions. And many that weren't worth asking.

I returned to my empty and frivolous existence on the other side of the country.

The incident continued to haunt me. Unfortunately, I couldn't keep it to myself.

I regaled friends, acquaintances and strangers with the details, questioned my motives in doing so, and felt guilty about it afterwards. It wasn't always taken in the intended spirit. Most people were chiefly interested in the coarser aspects of what had transpired. With each telling the story became staler. And sullied were the memories I wanted to preserve.

All the while her features became evenvaguer.

It took a week before I ventured into the one-hour photo department of a drugstore. It didn't feel like the right moment but I had already waited a long time. I returned an hour later, placed the envelope on the passenger seat and drove across town in rainy traffic. After half an hour I parked on a residential street and removed the photographs from the envelope. The emergence from romanticized memory into stark reality of such a highly anticipated image induced a certain uneasiness. Here at last were the three photographs, all I would ever have to remember her by: the two of her standing in front of a brick wall, with arms folded and a smile of sweetly inviting resignation that calmly shattered my cheap and shallow intrusion. And the close-up in the car: how fine the flow of her pale features in the hard glare...and the freckles on her shoulder, exposed by low-slung blouse...and her broken nose.

When I got home I propped this photograph up against the lamp on my bedside table. The next morning I took it down and put it back in the envelope. The vicarious aspect of my fascination bothered me. Though I had long ago succeeded in falling from my social class I was perhaps still too intent upon living out the stories that cast a romantic spell over my mispent impressionable youth. But this latest episode, kin to a few other fleeting encounters, contained some unshakable native truth that I couldn't deny, no matter how hackneyed it might appear under cold observation.

I kept replaying the moment our eyes first met: myself a spellbound john at the wheel of a rental car, her appearing out of the sidewalk mob and moving to the edge of the pavement with an unerring instinct for a customer's probing gaze. She looked out of place amid such squalid surroundings but supremely self-possessed. The way she bobbed her head up and down with that eager-to-please smile, obscene as it might sound, was infinitely charming. My sense of wonder was reawakened. She went straight to my heart. Seldom does a woman give of herself so freely, bravely and vulnerably. That it was offered at a price, indifferently and indiscriminately, didn't depreciate the generosity of the gift.

It left me with exquisite pangs.

But like everything else, it faded...into dull memory.-30-

(4/21/08)




2007: PULL THE PIN 2007

e-mail kerosene bomb